REVIEWS FROM MY VINYL COLLECTION

Tag: black sabbath (Page 1 of 2)

BLACK SABBATH – Heaven And Hell

It’s interesting listening to opinions of this album. Some people think it’s the best album Sabbath put out, others think it should have been called something else as the sound changed so much and was not Sabbath-like at all. Well, for sure Ronnie was the band’s saviour as after Ozzie had left and the tour leading up to that, the band were a mess. As for me… I just think it’s one hell of a piece of music and a statement to Ozzie and Sharon.

One of the best openings you will hear to a record with Neon Nights. Killer riff from Tony and that pounding groove from Geezer and Bill is awesome. The cherry on the top is Ronnie with those fantasy lyrics he was so good at. This is a 2021 remaster I am playing and it sounds really good and Geezer’s bass is really cutting through in the mix. It’s really hard to get past Neon Nights as a favourite tune but I really like Heaven And Hell as that was old school Sabbath riifage with Ronnie weaving his magic over the top, and basically a big FU to all the fans that said it would not work. There is a second disc with this reissue that contains a couple of B sides and five tracks form a live gig in the USA in 1980, which are pretty stellar.

Yeah, it’s a classic but not perfect.

9/10 from The Grooveman.

BLACK SABBATH – Sabotage

There’s a reason that these early Sabbath records are rightfully called classics boys and girls, because not only are they genre defining, they were genre inventing. Sure, we can argue about who first coined the term “heavy metal” and who had louder guitars, blah blah blah, but all the metal bands around today would not be anything if it wasn’t for Sabbath.

This was Black Sabbath’s fifth album, and we are only at 1973. They crammed so much into a short space of time, it’s insane to think of that happening today. If this album only had Symptom Of The Universe it would still be a classic. Such a killer riff and groove, Ozzy’s deranged wailing vocal, plus the crazy instrumental, and then the trippy outro, make this high on the list of everyone’s favourite rock and metal tunes.

Megalomania has to be one of the longest songs the band did. It goes from tripped out hippy psych fest, to killer max riffing Sabbath classic. This album doesn’t seem to high up on peoples’ fave Sabbath albums, but I really like it as there is so much going on outside of the usual Sabbath heavy riffing.

Of course, I’m going with Symptom Of The Universe as my favourite track because that riff is undeniable, but I could easily have gone for Thrill Of It All.

9.5/10 from The Grooveman.

BLACK SABBATH – Mob Rules

Dio was only with Sabbath for two studio albums as Black Sabbath, but what an impact those two albums had. Yup, there was Heaven and Hell, but it’s the first two that everyone holds up as classics. The riffs are still there but it’s a very different vibe to Sabbath of old.

An injection of melody mixed with the heavy worked brilliantly, but as usual when a lead singer is swapped, the whole feel of the band changes. Except for The Sign Of The Southern Cross, where Iommi gets to bring the evil riff and we get a real look at what Sabbath with Ronnie should sound like. Where on Mob Rules, which is a killer track, it feels as though the band are playing around Ronnie as the focus.

Slipping Away sounds like a Zeppelin song complete with a Bonham drum groove. Falling Off The Edge Of The World is the other tune on the album which feels like Sabbath with Ronnie singing his ass off. My favourite track though is Voodoo, a great vocal from Ronnie and superb riff from Tony. A good kick ass album!

9/10 from The Grooveman.

BLACK SABBATH – 13

I’m guessing this record will prove to be the final Black Sabbath recordings as Iommi and Osbourne’s health is not the best. Don’t worry, there will be a million live recordings and demo tracks that have been unearthed in some ex roadies toilet that will come out over time, but for me, this album would be a fitting ending for a once great band. The only sour point with this is the omitting of Bill Ward from proceedings over a contractual situation. You think after all these years that they would have gone out as equal partners, but the great evil one rears her ugly head again. Rick Rubin has done a fine job of keeping the original sound and vibe with updated production, even though it sounds very loud. Brad Wilk is also killer on the pots and pans.

End Of The Beginning sounds as though it’s from those early recordings, and that it was written the day after the sessions for the first album were over – a great track! The single, God Is Dead, follows and is in keeping with Sabbath’s trademark dark subject matter, but this feels more like an Ozzy solo track to my ears, until the mid section where old school Sabbath comes to save the day – this track goes out with a bang. Loners seems to be a rewrite of older material by the rearranging of chord sequences, but it does work well – I’m loving the sound of Iommi’s guitar. Zeitgeist is this album’s Changes, where the vibe and tone go to chill mode. Age Of Reason is a return to normal proceedings as its driven by Wilks’ pounding of the kit and an Iommi monster riff. You think the guy would have been all riffed out after being the creator of some of rocks most iconic moments, but he keeps on pumping them out, and long may he do so. The originators of the doom sound and groove keep their hand in with the riff and vibe to Live Forever which I really like. Damaged Soul has a killer riff and groove – this feels really old school. The album closes out with Dear Father and is the most evil sounding of all the tracks on the album.

I’m sure Rick Rubin had a big hand in the way this album sounded, and I thank him for that as I’m not sure it would have worked if it had been all modern sounding. Anyway, if this is the last Sabbath album then at least it was a good one.

9/10 from The Grooveman.

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