REVIEWS FROM MY VINYL COLLECTION

Tag: anvil

ANVIL – Forged In Fire

This is Anvil’s third album, released back in ’83.  Now, Metal On Metal was a huge leap from Hard And Heavy, both in songwriting and sound, and gave the band huge popularity. I just think Forged In Fire is just a greater leap forward from Metal On Metal. The whole metal scene was changing rapidly at the time and let’s not forget Anvil were right at the forefront. Metal was getting faster and darker with the burgeoning thrash movement.

The title track opens up the album and it’s quite a dark sounding track announcing the arrival of a new sounding band. Shadow Zone is a full on burst of thrash goodness with a killer over the top solo (I promise not to mention Ted Nugent..oops). I love the intro to Free As The Wind. The song itself has a hint of NWOBHM about it with its the riff and groove. Great slow down for the instrumental. Never Deceive Me sees Dave Allison handle the vocals, and this is the weakest song on the album. Side 1 closes out with Butter Bust Jerky. Now musically this a killer slice of early eighties metal with an awesome riff and groove, and I guess the lyrics are aimed at the 14-year-old metal fan rubbing one out to his latest “art pamphlet”.

Side 1 explodes into life with Future Wars. A full on double kick blastorama. Killer tune!!! Hard Times Fast Ladies has a sped up old school metal riff, and I love the sound of Lips’ solo. Make It All Up To You follows, and was this an attempt at writing a single? The hook and chorus have a great sing-a-long vibe to them. I love the instrumental section, killer guitar and groove. Motormount follows and boy does this track speed along. One of the fastest songs of the time! Save the best till last they say, and Winged Assassins is my favourite track. Killer drumming from Rob Reiner and Lips is giving it plenty on the guitar.

It would be four years before they released their next album, and unless you’re Def Leppard that’s a long time, especially in the 80’s. Anyhoo, a great record and I think this was a very influential album for what came after.

9.5/10 from The Grooveman.

ANVIL – Hard N’ Heavy

It’s hard not to like Anvil after all they went through. But that’s all in the future, and this is in the past, where it all started. This album was released back in ’81 in prime NWOBHM time, but these guys were from Canada. They were obviously a big influence on Anthrax as they have said so much, and other bands in the thrash scene, but that’s in the future.

The album opens up with School Love. Yup, the lyrics are well dodgy mentioning peaches and beaves, but the music and production is top notch with a great guitar sound. AC/DC is another lyric masterpiece – NOT. I’ll get this out of the way now as ALL the lyrics on all songs are pretty bad. I did not realize how similar Ted Nugent and Lips’ lead playing is, you could swear that Ted was playing on AC/DC At The Apartment has an AC/DC style riff with that plod groove. I Want You Both With Me is a straight up boogie. It was written by Dave Allison, who also sings lead vocals and it is the only track with no Lips involvement on either of those things. Bedroom Game closes out Side 1 and it’s the most metal track on the album with double kicks all the way through. and is my favourite on the record.

Ooh Baby opens up Side 2 and it’s a rehashed Ted Nugent riff and groove. A cover of the Stones’ Paint It Black follows and it’s an ok rendition, nothing great. Oh Jane is next up and it’s the only self penned lyric that is not a sleaze fest as Lips is saying how much he misses his one true love whilst out on the road. Hot Child has a nice riff and a cool gallop groove. The album closes out with Bondage and it’s another Nugent-inspired riff and groove. I’m sure Ted would approve of the lyrics as well. To be fair, the middle eight on the track is pretty killer. It’s amazing that the next album Metal On Metal, would do so well for them, but it was head and shoulders above this one.

7/10 from The Grooveman.

ANVIL – Metal On Metal

There was a point in time when Anvil were gonna be the next big thing – especially after this album was released. They kept up the momentum with the next release, Forged In Fire, and then they slowly went down and down until they disappeared off the map. It could have had something to do with the gimmicky bondage gear and playing guitar with dildos, or the very sexist lyrics, but who knows? I’m sure most of you will have seen the Anvil documentary and how heartbreaking that was, but that’s what the music business is like for nearly all bands.

Anvil, and this album especially, were an influence for lots of metal bands of the time – even Metallica namecheck the band – and it’s not hard to see why, this is a killer record. First track and the title track is one of my favourite tracks from this period. The main riff is simple but oh so effective, and that head just wants to bang. An ode to the Japanese monster Mothra is next, and the speed quickens and the metal is a pounding. Stop Me is a about backstage lust and sees rhythm guitar player, Dave Allison, handle vocal duties instead of Lip’s crazed warblings. I love the guitar tone on this one. One of the best metal instrumentals is next up with March Of The Crabs, and I’m sure Maiden were an influence for this one. Side 1 closes out with Jackhammer, and what a killer track with a superb pounding groove and fat chugga riff.

Side 2 opens up with Heatsink, and we continue where we left off with another great track. A bit of variation next with Tag Team, as the groove slows down before Scenery comes in with its slowed down Crazy Train riff – these lyrics are seriously cheesy. Tease Me Please as a very NWOBHM riff and groove with a large hint of Mr. Nugent thrown in. The album closes out with 666, and this is Anvil at their best. Super fast speed metal with the dark devil demon subject matter instead of the porn star lyrics.

Side 1 gets 10/10, but Side 2 gets 8/10 from The Grooveman.