REVIEWS FROM MY VINYL COLLECTION

Tag: album review (Page 77 of 470)

DOKKEN – Heaven Comes Down

If you have seen any of the live clips of recent Dokken shows it’s fairly obvious that Don’s voice is pretty much shot. In the studio however, all sorts of voodoo can be applied to assist in the vocal recording process. Here, you can tell he is struggling in places to hit or hold notes but at least he is giving it his best.

I was expecting this to be the last Dokken album and then I read that Jeff Pilson said something recently about how he and George would like to do one last album with Don, so I guess time will tell.

Musically, this album is really good. John Levin is a great player, and he’s stamping his sound all over the proceedings, he is the highlight of this record. It’s standard hard rockin’ fair but played very well and the production is really loud and clear. This is one of the best latter day Dokken records, even with Don’s struggles.

Highlights for me are the heavy groove of Is It Me Or You with some killer guitar and some great layered vocals, the very similar track Saving Grace which has a great slower groove and Levin’s playing is top drawer here. My favourite track however is the opener, Fugitive. I love the eastern vibe at the intro and the riff and guitar sound are huge.

I will be sad when there are no more Dokken albums, but you can see the end coming.

8.5/10 from The Grooveman.

ANGEL – Risen

Well, Angel were one of the last bands I thought would make a comeback, as it all came to an end after their album Sinful. Greg went on to do Giuffria and House Of Lords, and the rest of them went on to do…well, not a lot really.

If you were expecting the pomp of their first album and the song Tower, then you may not be to happy with this. This record is more in line with Sinful and the pop rock style they were doing then, and dare I say early Kiss.

Slow Down is a great song with a great riff and groove, and dare I say one of the best songs they have done. It’s full of energy and Frank still has the pipes to pull it off. I would say Over My Head is my favourite tune. It’s a nice modern take on what they were doing on Sinful, and a full on kick ass rocker with a very catchy hook and chorus.  

We Were The Wild is another killer track with Punky Meadows riffing up a storm and Frank wailing like a demon. I was very surprised at the heaviness of some of the tunes here as that was not their forte back in the day. Our Revolution mixes the heavy with the harmony of Franks vocals. The biggest surprise was the reworking of their most well-known tune, Tower. Nothing will beat the original, but they do good job with this heavier and more raw version.

Well done. Not a bad comeback at all.

8/10 from The Grooveman.

CANDY – Whatever Happened To Fun

This is a nice slice of American power pop released back in ’85. It probably wouldn’t get a second glance except for the fact that this was Gilby Clarkes’ first step into the recording arena. He has no song writing credits though, every song here is credited to bassist Jonathan Daniel.

The album is pleasant enough, although it sounds dated even for the time it was released and feels more like a mid-seventies pop record. It’s very hard to give a favourite tune as they are all pretty much the same and follow the same format, but American Kix has an added punk vibe to the power pop that I really like.

Even though he was a member of Guns N’ Roses, Gilby has always sailed just under the radar and never managed to release that killer record.

6.5/10 from The Grooveman.

BARONESS – Blue Record

Baroness operate in a musical universe that I just dip my toe into occasionally, because I am not fully familiar with the whole “sludge-stoner” thing. This is the band’s second album, released back in 2009.

I always wonder what was ground zero for this whole genre. I would hazard a guess at Children Of The Grave-era Sabbath, because that tone and sound are all over this record. Couple that with vibes from the residents of Sky Valley and we are not far away from the Baroness sound.

This is actually a very cool record. Mixed in with those sludgy riffs and grooves are some really delicate trippy interludes. My favourite tune is A Horse Called Golgotha. It’s got a wonderful riffy gallop with hints of their label mates, Mastodon’s early efforts. The one thing Baroness do have is amazing artwork, all of their albums have killer covers.

I really like this album and I may dip my toe in a little further.

8/10 from The Grooveman.

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