THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: album review (Page 7 of 456)

KEEL – Lay Down The Law

November 27, 2024 / / 0 Comments

So, after Steeler went their separate ways it wasn’t long after that Keel was born. This is their debut album and was released in ’84 on Shrapnel Records. After this, they signed a major label contract with Vertigo and put out The Right To Rock which contained three songs from this release. They were Speed Demon, Tonight You’re Mine, and the Stones’ cover Let’s Spend The Night Together.

Anthems are Ron’s forte and that’s what made his name. Lay Down The Law, Born Ready, Metal Generation, and my favourite Speed Demon are this record’s anthem contributions. I do like a double guitar assault and Brian Jay and Marc Ferrari complement each other really well.

It’s not the best Keel album, it is quite raw sounding but for a debut, it rocks.

7.5/10 from The Grooveman.

SHOK PARIS – Concrete Killers

November 27, 2024 / / 0 Comments

This is the third full length studio album by Shok Paris. It came out in ’89 and would be the last until Full Metal Jacket came out in 2020.

Good old fashioned heavy metal with a powerhouse vocalist is the recipe here. Vic Hix has an amazing set of pipes and the twin guitar riff machine that is Ken Erb and Eric Marderwald make a wonderful noise. Ken Erb was the only original member on all albums, but he recently passed and the band are now in limbo.

This album is not as strong as its predecessor Steel & Starlight, but there are still some great hidden nuggets of melodic metal goodness. The Heat And The Fire is a great up tempo groover. My favourite track is Find A Way Out with double kicks pounding all the way, Vic sounds like Graham Bonnet blasting it out and the solo is killer. Taking the tempo down a notch with Memories, which is a killer brooding monster of a tune.

They just needed that bit of luck and who knows.

8.5/10 from The Grooveman.

NASTY SAVAGE – Jeopardy Room

November 27, 2024 / / 0 Comments

This is a brand new 2024 release from these Florida-based thrash metallers. They originally appeared around ’85 with their self-titled debut album, then they released a couple more albums up to ’89 , and then disappeared for 25 years until they put out Psycho Psycho, then after another break of 20 years this monster was unleashed.

It’s not too often these days that you come across a brand new old school thrash release as good as this one. The only original member is Nasty Ronnie on vocals, but that doesn’t matter a whole bunch because the quality is high octane and there is no let up until the bitter end. The triggers in the kick drum must be smoking as drummer Jim Coker seems to be doing a permanent 100m sprint.

It’s like being back in 84/85 as the vibe is all there. Southern Fried Homicide is just as good as anything Testament, Overkill, or Exodus were blasting out – maximum thrash riifage is on point. Tough one to pick a fave tune as there are a few contenders, but I’m going with I’m going with Aztec Eleagance. That cool dark eerie atmospheric intro is so cool and you just know that what comes next is gonna slay.

Well done Nasty Savage for releasing a great metal album with maximum groove and awesome riffing.

9/10 from The Grooveman.

CASANDRA’S CROSSING – Garden Of Earthly Delights

November 25, 2024 / / 0 Comments

Now, I’m a huge fan of Mr. Lynch. I love his style and tone, but I’ll be the first to admit that he maybe does too much and spreads himself a bit thin. Although, when he is teamed up with something special he always delivers. Like with the Dirty Shirley project, where he joined up with the incredible Dino Jelusick. This paring with the equally incredible Casandra Carson, is very similar in feel and groove, indeed her style and Dino’s are very close.

I love this album. I think this is George at his best. Opening track Stranger is a high octane romp with both giving it the beans. Great hook and chorus and the groove is killer. Impatient could be my favourite song, the main hook, melody, and the middle section are so cool, and it’s not your cookie cutter rock song either. Closer To Heaven sees Casandra really powering out the notes in a more aor vibe and the middle eight is very reminiscent of old Dokken. Mind Eraser has a modern rock feel and groove with the main D-tuned riff, it also has a very heavy sounding vocal but the main hook is very cool. Side 1 closes out with Devastating Times, a slower main groove and melody. This song shows how much control Casandra has with that voice, it goes from quiet to loud and is coupled with an epic George solo. This is a strong end to side 1.

A nice southern feel to the opening riff of Waltzing Nites. This is the most commercial sounding song yet. Just Business again, has a very modern sound, a bit like Miles Kennedy. Ring Me Around has a very similar vibe and such a great hook and chorus. Run For Your Life is the fastest track on the record with both guitar and drums driving this baby along at a great lick, and that rougher tone to Casandra’s voice sounds great. A very old school 70’s sounding groove greets the listener with the opening of Wicked Woman. I love the change in vibe. Kneel Before You closes out the album with a return to that modern rock vibe.  

This is a really strong record. However, as with a lot of Frontier’s releases, there is an issue. This pressing is so quiet I had to crank it way above my normal settings to get the power that this record derives. That doesn’t take away from how much I love this record. Give it a spin I’m sure you’ll like it too.

9/10 from The Grooveman.

« Older posts Newer posts »

Archives

© 2024 THE GROOVEMAN'S COLLECTION

Theme by Anders Noren — Up ↑