REVIEWS FROM MY VINYL COLLECTION

Tag: 220 volt

220 VOLT – Mind Over Muscle

This is album number three from these Swedish metal legends, who originally appeared in ’79. They had a slight change in style with this release, moving to a more hard rock sound.

Saying that, opening track The Tower has double kicks pounding all the way through with max riffage to match. In The End has a cool riff that reminds me a bit of late seventies Scorpions. Electric Messengers has the tempo up high with a classic NWOBHM style riff and superb twin guitars. Power Games is trademark Judas Priest style riffing and that echo on the voice is a giveaway. Blessed By The Night is more of the same but the hook and chorus are huge. Secret Dance has a different groove and feel to the rest of the album and gets my vote for favourite song. It reminds of another Priest song, especially that opening riff. Great solo as well.

It’s Nice To Be A King opens up Side 2 and I’m getting heavy Deep Purple vibes especially from the main riff. A cool uptempo rocker with a great guitar sound. The title track is next and it‘s anthem time. A slow plodding hands in the air stomper with the big gang chorus. Whiter Than White is next up and I would say this is my least favourite song. The riff is okay, but the song doesn’t go anywhere. Touch Of Fire is dipping into the NWOBHM riff library again. Great hook and chorus. Halloween is the penultimate track. The hook and chorus are the standout here. The album closes out with Pavement Song. A dirty fat riffing blues groover.

Not a bad album at all.

8/10 from The Grooveman.

220 VOLT – s/t

This is the band’s first album, released in ’83. An original copy is going for silly money so when MOV announced they were releasing the first three albums, it was a no brainer. Coming across as a late seventies version of UFO, mixed with all the good bits of NWOBHM, they managed to get a deal with Epic records after the track Prisoner Of War was released in the US. The band was put together by guitarists Thomas Drevin and Mats Karlsson, who are still in the band today.

Lonely Nights is a great opening; melodic hard rock with plenty of guitar. No Return is very UFO with the riff and rhythm being very Michael Schenker. The End Of The World is very NWOBHM with some very tasty licks from both guitarists. Side 1 fades out with Gypsy Queen, and no prizes for guessing where they stole the intro riff from. Nightwinds gets things going and I’m a big fan of the twin harmony guitars that graces the intro and middle eight. The one thing that isn’t so great on the album is the vocals of Joachim Lundholm, who isn’t the strongest vocalist in the world. But, it’s the guitars that carry the album and Child Of The Night has a great fast riff and is very NWOBHM in style. Stop And Look Back has a nice opening riff and pounding beat and groove. Prisoner Of War was the single that got the band signed, and I’m guessing the label were looking to sign up any metal/hard rock bands they could get their hands on. Woman In White closes out the album and it’s classic NWOBHM, and I guarantee you will have heard that riff before.

If you take the vocals out of the equation, it’s a decent first album and it’s worth getting just for the guitars; plus the two albums after this are great records.

8/10 from The Grooveman.