THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

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IZOD – Overdrive

I don’t know a whole bunch about IZOD, other than that they were from Toronto. I think this five track EP was their only release. Now, I have heard bands a million times worse, who went way further down the line than Izod did.

Vocalist Steve Lewis is quite a revelation and possesses one hell of a set of pipes and along with guitarist Mark Fodero they really drive this forgotten hard rockin’ monster along. It’s prime time hair metal, no more no less but I really like this a lot. The five tracks all killer no filler, the best of which is Bitch Is Hot (I know) and Overdrive. They are both feel good anthems.

If you come across a copy then snap it up because it’s such a fun record.

8/10 from The Grooveman.

JEFF SCOTT SOTO – Wide Awake In My Dreamland

I first became aware of Jeff when he sang on Yngwie’s first two albums, but I really took notice when he was a part of the awesome band, Talisman with fellow Yngwie bandmate Marcel Jacob. A lot of you were probably aware of Jeff when was asked to join Journey for a brief stint, and if you have seen the Christmas shows of Trans Siberian Orchestra on the west coast then you will have undoubtedly heard Jeff’s golden tones. Of course, since then he has been in a squillion projects as well as many of his own solo albums, which this is number 10 (I think).

He is teamed up here with fellow song writing partner Alessandro Del Vecchio, who seems to be the Frontiers’ in house go to guy. It’s one thing to go out as part of a band, but it’s a whole different ball game when it’s your name on the flag. This record sees Jeff visiting all branches of his repertoire, from the laid back aor vibes to out and out Talisman style groovers.

Those Talisman grooves are front and centre for killer openers Someone To Love and Mystified. Love is Blind dips a toe into Queen territory, especially with that awesome guitar intro. Love Will Find Away is probably my favourite track. The hook and melody are superb and this is what Jeff is really good at. I love his tone and the groove and swing to this song are killer.

If you want to hear how an AOR song should be delivered then Between The  Lines is about as perfect as it gets. Now, I’m a guitar guy and the first thing that grabs me to a song is the riff and groove, the vocals come after that but very occasionally there are vocalists who jump that queue and Jeff most certainly does that for me.

A great melodic rock album.

9/10 from The Grooveman.

MARK LETTIERI – Can I Tell You Something

I do step outside of my rock and metal comfort zone from time to time, especially for great instrumental music. I’m sure everyone has heard of Snarky Puppy, right? Well, this is how Mark Lettieri came into my radar. I witnessed them live and I was just blown away. As you do when you find something great, you dig a little deeper to see what else in that stratosphere may tweak your ears to some more amazing sounds, and Mark was the first I latched onto.

It’s very easy to attach the word “Fusion” to albums like this as it’s a bit of a catch all, and for sure some of the tracks fall into that. Lead off tune Dragonfly is just wonderful and if you’re looking for a reference then Satriani instantly pops into your brain but with way more swing and groove. Canyon Run is just awesome! Yup, fusion is the go to word with masses of swing, groove, and killer playing. Not just a squillion notes but notes with meaning and purpose.

Black Iris is next up and the groove and beat are very slow with a jazz feel to the piano intro. The guitar tone and sound reminds a lot of King Crimson Discipline period. This is a song that evolves into a differing beast as it progresses. The keys and violin are as much the centrepiece as much as the guitar.

Blankworld kicks off Side 2 and again, it’s another track that morphs into something completely different from it’s beginning, with some superb playing from Mark. A cover of Cindy Lauper’s Time After Time is up next. It’s quite hard to get away from a that iconic melody and make it your own, but I love the way this has been done. It has a much more delicate feel. This side closes out with a track called Shimmy Tiger and this is the one I heard before the album was released. A very upbeat and happy melody with a great funky undertone with killer playing.

Saturday Stuff groove’s on in, quite literally. Major amounts of funky grooves as the baritone guitar comes out to play alongside Wes Stephenson’s monster bass playing. Man, I could listen to grooves like that all day! Keeping the groove going, albeit with a slower vibe, is Medallion. This is such a cool tune with differing tempos and killer licks, it is a pure joy to listen to. Greenspace starts out very sparse but builds with a freakin’ awesome funky riff.

Keeping the listener on their toes, Palisade kicks off with a pop beat almost from the eighties. Do you remember a song called Blue Hotel? Well, the main guitar reminds me of that until we get very busy when all sorts of tones come flying at you. Very cool song! The funk returns with Neural Net, a wicked groove and I love the simple keys main melody line. The album close out with Gemstone where we end just as we started, with some killer funky fusion.

Mark keeps it interesting with every release and if you like instrumental music with a groove then I suggest this should be high on your list.

9/10 from The Grooveman.

THE DEAD DAISIES – Light Em Up

A good time rock n’ roll band that has a seemingly revolving door of members coming and going. However, the brand and the style of music hasn’t changed much over the years apart from the complete left turn when Glenn Hughes fronted the band. Maybe this line up will last a little longer, even though the drummer Evan Frederickson was in for this recording only.

This is maybe the most cohesive bunch of songs The Dead Daisies have assembled so far as there is not much dead weight to be heard. Straight in with my favourite track, Light Em Up opens up the album with a big AC/DC style riff and groove that blows the cobwebs off immediately. Times Are Changing keeps that vibe going with an added flavour of the South. Killer hook and chorus too! I Wanna Be Your Bitch is a dirty grooving rock n’ roll ditty, a no frills and straight to the point groover. A single pounding bass introduces us to I’m Gonna Ride, another simple riff and groove hanging onto a very catchy hook and chorus. Back To Zero closes out Side 1 and we get some slide geetar at the intro with some added psych to that basic riff and roll formula.

A very familiar Zeppelin riff introduces the listener to Side 2 opener, Way Back Home. A bangin’ cover of The Angels’ (or is it Angel City?) Take A Long Line follows. Further proof that the bars and pubs of Australia were inspiration for this record. My Way And The Highway is a fun barroom blast of dirty sleazy rock n’ roll. Love That’ll Never Be is as close as these guys get to a ballad, with a shift of sound to the mid west laid back vibe. Album closer Take My Soul is a mid tempo chain gang blues groover, until we get the anticipated gear change into a Lynyrd Skynyrd style romp to the end.

After many plays I think it’s my favourite Dead Daisies album.

8.5/10 from The Grooveman.

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