THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Page 12 of 456

KING KOBRA – We Are Warriors

King Kobra are another band that pops up occasionally to release a record. It has been ten years since the last one, and there was a gap of 23 years between the third and fourth album. They were a working touring band for the first three albums but then they became a project band that filled a gap in between the schedules of its members.

The only guy who played on all the albums is Carmine Appice. He is joined here by guitarists Carlos Carvazo and Rowan Roberson, Johnny Rod on bass and Paul Shortino on vocals. So, what does this rendition of the band offer us mere mortals this time around? Well, for fans of the heavy blues groove all your boxes will be ticked. All original songs apart from Love Hurts, this is quite a solid album although the production is a bit muddy in places.

Music Is A Piece Of Art opens up the album with a heavy Zeppelin groove, very reminiscent of Badlands. That groove continues with Turn Up The Music and I really like the hook and chorus on this one. Favourite track time next with Secrets And Lies. A nice change of pace changing through the gears and I really like the solo. Drownin’ follows and the hook and chorus are superb, I love the main melody. One More Night ends Side 1 and it’s a straight up and down blues rocker.

I could have done without Love Hurts but I guess Shortino’s raspy style suits the song. Dance has a very deep heavy low end groove with those Zeppelin drums again. If I played you Darkness before the vocals kick in, you would swear this was a Zeppelin outtake. We Are Warriors is the best song on Side 2 because it sounds like them. A nice riff, with a great guitar sound, a cool driving tempo, and a catchy hook and chorus. The album closes out with Drive Like Lightning and it’s a return to the Bonham drum sound.

8/10 from The Grooveman.

WILDSIDE – Under The Influence

This album on vinyl is one of the rarest hair metal albums out there, and if you actually come across a copy then it will set you back between $500-$600. Crazy eh? This is an unofficial copy and brings me nicely into the subject of counterfeit records. Now, bootleg live recordings have always been part of the scene as fans of bands want to hear live recordings from their heroes and it didn’t affect the companies too much. However, this sudden proliferation of counterfeit records is becoming out of control. Of course, if labels would do runs of these hard to find records then this problem would decrease, but I guess they don’t care because they want everyone to stream as it costs them jack.

This cost $60, and for that, you get a poorly printed cover and the labels on the records are mixed around the wrong way. Even the friggin’ counterfeiters can’t be arsed to do a good job. As far as it sounds, well it’s a very strong record. Hang On Lucy is a bonafide classic of the genre, plus the band are killer.

If you come across an OG, then snag it because you may never find it again. As for a counterfeit well…

9/10 for the music, 5/10 for the copy, from The Grooveman.

FINAL AXE – Beyond Hells Gate

This is one of those resurrected from the dead albums. The band came into being in about ’89 and this album (I think) was only ever released on cassette. For this reissue, remix, and remaster Stryper drummer Robert Sweet was drafted in to redo the drum tracks and give the tunes the balls they needed.

Now, this is a Christian metal album, and before you go running to the hills and dismissing it, I will say give it a chance because it’s rather good. Vocalist Kieth Miles has a great set of pipes and guitarist Bill Menchen is a riff lord. None of the songs are much over four minutesm they are short and to the point. It’s the more aggressive tracks that really do it for me. Baptized In Blood and Blind Faith are rifftastic monsters with the vocal to match. Close To Deliverance gets the favourite track award however, because the chugga riff is super simple, fast, and groovy as hell. In fact, this whole album is a heavy riff and groove fest.

I’m not sure how many of these were pressed, but I’m guessing not a lot so if you come across one, snag it up because it’s one big chunk fest.

8.5/10 from The Grooveman.

HELLION – Screams In The Night

Killer band with an average singer. Musically, Hellion are most defo on the money but it’s hard to get past the limitations of Anne Boleyn. She would be perfect in a sleaze/glam band but in a metal band as good as these guys, nope. Chet Thompson is a killer player and a definite fretboard gymnast and you have to wonder if they had a killer vocalist, would they have been a lot bigger in terms of sales and popularity?

Bad Attitude is a case in point. Great song with some monster playing but the vocal does the song no justice. Better Off Dead has all the possibilities to have been a metal anthem, killer intro and pounding groove with some ripping riffage but the hook and chorus just… well, you get it. The only song where the vocal doesn’t bother me too much is the opener to Side 2, Explode. This baby just blasts along with double kicks pounding and the solo is totally nuts.

You may think I don’t rate this record too high, but I don’t I think musically it’s a must have for all metal fans, just for the guitar alone.

8.5/10 from The Grooveman.

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