REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 474 of 492)

BLACKFIELD – II

This is the second album of the collaboration between Steven Wilson and Israeli alt rocker, Aviv Geffen. This is my favourite of all the Blackfield albums, as this and the previous album both saw equal contributions from both. The albums after this, Wilson took more of a backseat and were basically Aviv albums. SW writes three of the songs and takes lead vocal on six. It’s very hard to pigeonhole this project as the songs that SW sings would not be out of place on any of his solo offerings. Avis’s songs have that definite edgy vibe, and he just takes the lead on one song , Miss U, and three of them they both sing together.

One of the more interesting pieces here is the song, Christenings, which was written for the Porcupine Tree album, Deadwing, in fact, Gavin and Richard both appear here. The whole album does feel like a laid back Porcupine Tree album, or songs that were left over from his solo stuff, as SW’s voice is so distinctive. That may be a reason why he took more of a back seat after this album.

Side 2 opener, Epidemic, is the only song that I would call a Blackfield tune, as it’s the only song that feels as though it has its own DNA. I suppose you can call this a pop album, it’s just minus the big chorus and sing along sections. In my opinion this is the weakest of Wilson’s projects, and I would not be surprised if he called it a day with this at some point. It looks as though I am being negative here, and I’m not, it’s just that when you have such amazing and outstanding pieces as SW does, something as mellow as this is just tends to get lost. It’s still a nice album to chill to.

7.5/10 from the Grooveman.

TRUST – Marche Ou Creve

If you are like me, and you became aware of these French rockers through their single, Antisocial, and a support slot with Iron Maiden – you will know what a great band they are! The Repression album was translated in English by non other than Jimmy Pursey of Sham 69. Fun fact #57, drummer Nicko McBrain would leave after this album to join Maiden as their drummist. This is the follow up to Repression, and this is the French version. The English version was called Savage. Even though I couldn’t tell you what the subject matter is, I enjoy this album to the max.

In opener, La Grande Illusion, it does make the 12 year old inside me laugh as I’m sure they sing Fart, Fart, Fart in the sing-a-long section. Anyhoo, don’t be distracted by that as it’s a great song with a cool riff! La Sauvage follows and that’s another hard rockin’ tune. Next up is Repression, with a killer groove and riff from guitarist Nono. La Junte is next, with some tasty guitar and spat vocal from Bernie, and a killer solo. Misere closes out Side 1 – probably the weakest song on the album.

Side 2 kicks in with Les Brutes, with it’s quite happy riff, and it is apparently about the Soviets crushing the Prague Spring in ’79. The title track is another killer tune with that driving beat and a great riff. Album closer, Ton Dernier Acte, starts off slow with spoken lyric, and a riff played quiet, and then builds – this is my favourite track from the album. Really love Nono’s playing, and this track highlights it perfectly – killer tune.

PLAY VERY LOUD!!! A quick mention to producer Tony Platt who has given the band a killer sound with a great mix. If you like hard rock the this is for you.

8.5/10 from The Grooveman.

SUICIDAL TENDENCIES – s/t

What we have here is a repress of the skate/punk/metal pioneer’s debut album. Even though the subject matter is quite serious in places, this still is a fun record to listen to! Fast is the order of the day here, as each song wants to finish before it starts.

Punk craziness and attitude is interspersed with some metal riffage, and all this appears in the album opener, Suicides An Alternative/You’ll Be Sorry. Even the tracks that start slow, like Subliminal, soon get to breakneck speed for greatest efficiency. You’ve just gotta laugh because the speed is just pure crazy and naïve, but they are having a good time. Last track on Side 1, Institutionalized, is their best known song from this period, and the drummer, Amery Smith, is struggling to keep the pace.

Flip over to Side 2 and it’s more attitude and speed with Memories Of Tomorrow. With its Slayer-ish riff, but probably twice as fast as anything the dark ones were doing at the time. Basically that’s it for the rest of the album, and if I’m honest it wears a bit thin towards the end. Mike Muir is the only original member left, though they haven’t been active for a lot of the time. I must be in the minority as I preferred the offshoot, Infectious Grooves. If you’re a 16 year old skate kid then this is for you.

6.5/10 from The Grooveman.

BILLY IDOL – BFI Live!

This triple album was part of a RSD release a couple of years ago. It was recorded at various venues from around the universe. Now that sneer can only get wee Billy so far, and after the minor success of Generation X (especially in America), he needed something (or someone) to give him the boost he needed. That boost came in the form of guitarist extraordinaire, Steve Stevens. This is emphasized right from the get go with opener, Postcards From The Past. A nice tune with amazing guitar. If you have seen Billy live he does put on a good show, but for me Steve Stevens steels it every time.

A good selection of tunes are represented from every corner of Billy’s career, but the best for me are the ones from Rebel Yell – especially Flesh For Fantasy, which is just sublime, and extended as a highlight piece of the show with Steve showing what he is best at. A nice rendition of The Doors classic, LA Woman, is aired. Surprisingly his vocals hold up really well here (he is not the best live as his voice does give out). The best reaction from the audience is for the hits that you’d expect, White Wedding and Rebel Yell. They are given the full treatment towards the end of the show.

Very enjoyable live album and recommend for everyone.

8.5/10 from The Grooveman.

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