REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 456 of 492)

ACE FREHLEY – Frehley’s Comet

Ace is back and he told you so. Quite an apt lyric as this was Ace’s first attempt at going solo after his removal from Kiss. His battles with exotic substances have been well documented, especially by his former band mates who would use this as an excuse not to bring him back in to Kiss.

When you compare this album to what Kiss were doing at the same time – this holds up really well – and I would say it’s better. At least Ace is being honest with who writes the tunes – unlike his ex employers who would buy songs from outside writers and then put them down as Simmons/Stanley compositions. So the anthem that is Rock Soldiers get us underway, with it’s spoken lyrics by Ace – its very Kiss sounding. Breakout is next and is a great song and a nice track to follow on. The next song shows how weak Ace’s voice is, and it’s not that good of a tune if I’m honest – even though Ace plays a nice solo. Something Moved follows and is a better tune, and a typical hair rock track of the day – written and sang by Tod Howarth who would later join Dave Lee Roth’s band. Side closer, We Got Your Rock, is a typical 80’s stomper sing-a-long tune.

Over to side 2 we go and Love Me Right gets things underway with it’s semi funky riff and an Ace vocal. Calling To You starts off with a riff you have heard a million times before, and could have been any band of the time, but it’s an ok tune. Dolls is a quirky tune about Ace’s love of dolls. He doesn’t specify which type, but you get the drift. Stranger In A Strange Land is the penultimate track and is another typical stomper track. The final track is the instrumental, Fractured Too, not a bad tune – it just doesn’t do a whole lot and doesn’t go anywhere.

As I said earlier, it’s comparable with what Kiss were churning out, and in places it is really good. It sort of sums up Ace really.

7.5/10 from The Grooveman.

SANTANA – Inner Secrets

Controversial comment approaching! In my humble opinion, this is the best Santana album. This was the tenth album that the band released, but was the first to angle the sound in a more commercial direction. Sure, lots of Latino rhythms and grooves abound, but this time they are mixed with a more Top 40 approach. Greg Walkers voice and melodies really worked for me, and there is almost a funky/soulful groove that runs through the album.

Opener Dealer/Spanish Rose is a fantastic tune that should have been a single, but was declined by the record company – it has plenty of groove and lots of Carlos. Next track, Move On, is funk gold and this just makes you want to dance. One Chain, which follows, was a single and rightly so. A great groove, perfect vocal, and a wicked chorus and harmonies. A definite nod to Motown, and a perfect song! Stormy closes out Side 1 and is pure soul straight of Philly.

Over to Side 2 we go with Well Alright – a more traditional Santana type of groove but still mixed with the new commercial approach. The one thing you do notice is how many of the songs are written by outside writers – an obvious strategy to make the band more commercially acceptable to a wider audience. Open Invitation is about as un-Santana as is possible – until the rocking ending. A cool song with a great chorus, and vocally it reminds me of Living Colour. Life Is A Lady/Holiday is next – a double instrumental piece quite laid back but really chill. The Facts Of Love follows and is another latin/funk/soul tune with a typically catchy chorus. Wham closes out the album, and is the only track on the album that would make you say “this is Santana”. From the salsa percussion in the beginning, to the latin grooves and instrumentation – this is unmistakably Santana and a killer track to boot.

If you like groove in your soul then this one is for you.

9/10 from The Grooveman.


WARRIOR – Fighting For The Earth

If I were asked by someone to describe mid-eighties glam metal in one album, I would play this. This is an absolute classic of the genre, they were even dressed as warriors on stage. Led by the amazing pipes of Paramore McCarty, who later joined Steve Stevens in his Atomic Playboys (another killer album). Cheesy image, great production, decent songs, and a killer guitar player – what more could you want?

To appreciate this fully, you have to transport yourself back to 1985 and remember how you first heard it. The title track kicks things off in epic style with a monster song, “we are warriors fighting for the earth!” yes indeed – cheese-a-rama but totally enjoyable. Next up is Only The Strong Survive – another good song with a sing-a-long chorus. Third song is Ruler, and reminds me of the mighty Priest as, let’s face it, that’s where Warrior’s influences firmly lie. Last track on Side 1 is Mind Over Matter, with its fast paced double kick drummer pounding you into submission, and plenty of chuggas to make that head bang.

Over to Side 2 and Defenders of Creation – another killer track to open with. The big production of the album, as it has a great beat and groove that builds really well. Day Of The Evil follows – another fast paced riff driven rocker with a great chorus and lots of widdly-diddly guitar. Cold Fire follows, and starts off a bit like Metallica before descending into ballad city – it’s the one track I don’t really care for. A very cheesy spoken word PTM1 is next, before album closer Welcome Aboard stomps its way into your brain.

It’s been ages since I played this, and I really enjoyed it.

8.5/10 from The Grooveman.

THE CARS – Panorama

The Cars were one of the more interesting bands that were born out of the punk/indie scene in the US at the end of the seventies. After the success of their first two albums, the pressure was on for them for the difficult third release. The record company drafted in former Queen producer Roy Thomas Baker to oversee matters.

At their quirkiest, they sounded like Devo – mainly due to the vocal style of Ric Ocasek. At their best, they were a great pop band of the time. By this time they had gone full on into synth pop territory, and bore little resemblance to the band that had recorded My Best Friends Girl and Just What I Needed – they were killer tunes.

As usual with US singles bands, the 1st Side is loaded with the singles – even though in my opinion they aren’t that strong. I don’t have a favourite track as they are all a bit of a muchness. It’s definitely of it’s time, and sounds quite simplistic by today’s standards. As I mentioned, this was the difficult third album and didn’t sell that well. It’s an ok album, but nowhere near their best.

5/10 from The Grooveman.

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