THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 388 of 492)

TED NUGENT – Double Live Gonzo!

September 4, 2021 /

This is another Live record that doesn’t often get a mention when people talk about best Live albums. Recorded over various nights across the US in ’76 and ’77, it was pieced together as a whole live concert. Ted Nugent was a big drawer back in the mid-to-late seventies, and sold tons of records right across the States.

Playing the most un-metal guitar with his Gibson Byrdland, boy did he make that thing squeal. I used to love old school Nuge – he always put on a great show. I lost interest when he went bat shit crazy, but there is no denying that this album is a barn burner. His mantra was always “if it’s too loud. you’re too old”, and believe me, his gigs were deafening. It’s bitten old Teddy in the ass, as he is totally deaf in one ear and has partial hearing in the other.

What you see here is what you get, good old loud and proud shit kicking rock and roll. All tracks are originals, apart from a very over the top Baby Please Don’t Go, there is no let up right from the get go. It’s all killer and no filler, and my favourite tracks are Great White Buffalo, and Wang Dang Sweet Poontang, where it’s all about the guitar and Ted gives his all.

9.5/10 from The Grooveman.

UFO – No Place To Run

September 3, 2021 /

This album was a problem for the band at the time, as it was the first album since the departure of Michael Schenker. He was replaced by ex-Lone Star guitarist, Paul ‘Tonka’ Chapman. There was also an addition of Paul Raymond on keys and guitar. A lot of fans did not like this Schenker-less record, as he was a hero to a lot of them, but if truth be told, the songs were a lot stronger without him in the long run. UFO recorded 22 full length studio albums (not including Live albums) before they called it a day, and that’s not a bad run for a rock band.

Lettin’ Go is a great opening tune and I would say is a typical sounding UFO track – with some nice playing by Tonka. The old blues standard, Mystery Train, follows and is given the full treatment. It again shows that Tonka is more than capable of replacing the crazy German. This is one of the best sounding UFO albums, and I think it’s no coincidence that this album was produced by George Martin. It’s also a UFO tradition to put in a track that is there to just fill space, and here that falls to This Fire Burns Tonight.

Young Blood was the single that was released before the album, and it didn’t do a whole bunch, apart from announcing that there was a new album about to drop. I actually liked it, as to me, this is the real UFO. This is definitely a more mature sound for the band, and I guess that’s what George Martin was trying to do as the track, No Place To Run, feels as though the band are expanding their sound. Money Money is my favourite track on the record as I love the lyrics and the gallop of the tune.

I think the cover photo is hilarious here, as a very cheap attempt to disguise the fact that they are standing in an Esso garage has been made by placing electrical tape covering the logo.

8/10 from The Grooveman.

AUTOGRAPH – That’s The Stuff

September 3, 2021 /

How the hell do Pasadena’s second greatest export to the musical landscape, follow up their multi squillion selling debut and try and improve on it? Well, the short answer is they don’t. The two singles that were released, That’s The Stuff and Blondes In Black Cars, were great songs but they never quite had the big hook to make them mega hits. That’s basically the difference between the first album and this one. The first album had all big hooks, sing-a-long choruses, and was unstoppable.

I’m getting a bit down on this record, and that’s a tad unfair. Steve Lynch plays his ass off all over this record. It’s one hell of a great party record in its own right, and that stomp beat, which goes throughout the record makes it perfect for that. Six String Fever and Built For Speed are highlights for me, as well as the instrumental Hammerhead, where Lynch goes full on EVH. The best track is the close out track Paint This Town.

8.5/10 from The Grooveman.

KING CRIMSON – Beat

September 2, 2021 /

The second in the trilogy of albums from the early eighties incarnation of the band, and my favourite period of the band. It was a stroke of genius by Robert Fripp in bringing in Adrian Belew, and I was aware from his work in Talking Heads. As well as being a second guitar player, Belew brought a pop sensibility and melody to the band. This album is definitely the most commercial Crimson ever were.

Any band of the time would have wished they could have written a track like Heartbeat. It’s such a beautiful song with a killer melody and hook, and superbly sung by Belew. Another thing that this version of the band opened up to, was influences from around the world, especially Africa and electronic drums. Discipline was full of these influences, and this album does carry on that vibe especially on tracks like Sartori In Tangier, which is a superb instrumental. The Africa influence can be heard best in Side 1 closer, Waiting Man, with the amazing Tony Levin playing the Chapman stick like he is playing a rhythm instrument.

There are still elements of Crimson of old, with (at times) the complete whack a doodle of Neurotica and experimenting with time and grooves, and Fripp with his Frippatronics. Bill Bruford is superb on this record, and I’m not sure if his talents have not been showcased better on any of the myriad of projects he has been involved with. This album and Discipline are my favourite KC records and both come highly recommended.

9/10 from The Grooveman.

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