REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 375 of 492)

ROBIN TROWER – Coming Closer To The Day

Robin has been a solo artist for over 50 years after leaving Procul Harum in ’71. This is his 23rd solo studio album, and for me, it’s a return to the vibe and sound of his earlier albums. This was recorded as a two piece, Robin playing all guitars, bass, and vocals, and Chris Taggert playing drums. Now I know Robin is no James Dewar with his vocal style, but the tone and sound of his voice suits the music really well. Robin is now 76 years old and he is still cranking out quality music. Early in his career he was passed off as a Hendrix copyist, but there is so much more to his playing. He plays with so much feel and soul, and his tone is incredible. No one plays like this today.

My personal favourite tracks on this release are the title track, which is such a beautiful tune and his playing is just sublime. No widdly-diddly nonsense here – every note means something. Someone Of Great Renown, which has a beautiful slow funk groove – and again – superb playing, the dirty slow blues of Tell Me, which is just superb and possibly my favourite track on the album, and Don’t Ever Change just gives me goosebumps when I hear it – the tone is incredible. 23 albums in and he drops such a great album.

10/10 from The Grooveman.

JEFF BECK – Blow By Blow

This album (and the one that came after, Wired) are my two favourite Beck albums. We are in the prime mid-seventies fusion experimentation era, and Jeff lapped this up. A switch was flicked and away he went with some of the most inventive playing of his career. Jeff is one of those players where as soon as you hear him you know it’s Jeff, he has such an original style and tone to his playing. A big bonus to this record was that it was produced by George Martin and it sounds awesome, the separation and placing of the instruments is perfect.

There are some of Jeff’s most popular pieces on this album, namely Scatterbrain and Freeway Jam, both incredible fusion showcase pieces where Jeff and the band really let fly. As well as these two tracks, I love the funk groove of Air Flow which has seventies cop movie written all over it – superb track, and Cause We’ve Ended As Lovers which is amazing and dedicated to Roy Buchanan.

9/10 from The Grooveman.

URIAH HEEP – Abominog

This is the 14th studio album by one of Britain’s finest rock bands. This was something of a mini rebirth, as their fortunes had been fading somewhat after the bands 70’s heyday. This was the first album after the departure of Ken Hensley, one of the originators of the band and a main songwriter. Bob Daisley, after his removal from Ozzy’s band, was brought in to obviously help with songwriting duties, as half of the songs were cover versions by other artists but given the Heep treatment.

This was one of the band’s most successful albums in the US, as two of the tracks: On The Rebound, and That’s The Way That It Is, both charted. The band’s sound was a lot more up to date and contemporary sounding with the emphasis on melody and hooks. This is one my favourite Heep albums, and they sound like a totally different band on this record. Great arrangement of the songs, great playing from all involved, and the production from Ashley Howe is fantastic. As well as the aforementioned singles, the other great tracks are Too Scared To Run and Running All Night. Both have great melodies and hooks with memorable sing-a-long chorus’. It’s also great to hear Mick Box let loose more on this record, as Hensley was taking more control and there was less guitar. Still sounds great nearly 40 years later.

9/10 from The Grooveman.

CORROSION OF CONFORMITY – No Cross No Crown

What started out as their main gig, over time turned into a project as the members went off and did other things. Pepper Keenan even auditioned for Metallica. Blind is one of my favourite albums from the early nineties. I was really looking forward to this album when I heard it was coming out with the classic line up, and it definitely delivers with a heavy doom vibe. There is a tinge of sadness as Reed Mullin passed on in 2020.

After the short intro, it’s the epic Sabbath-esque The Luddite that starts things off in great fashion – it’s a monster track. Cast The First Stone is even better with a freakin’ great riff and groove. I’m happy to report this awesomeness carries on throughout the record. My favourite tracks (other than the two lead off tracks) are Nothing Left To Say, Elm, and the very groovy Wolf Named Crow. Even in the quieter moments, like No Cross, the evil shines though. If there is one album that could be Sabbath in this modern age, it’s definitely this one. Great record and I definitely recommend it.

9.5/10 from The Grooveman.

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