REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 274 of 492)

OPETH – Ghost Reveries

One of my favourite Opeth albums, and the music on this album bares little or no resemblance to what the band release today. That’s not to say I don’t like modern Opeth, I do, it’s just this and Blackwater Park we’re so impactful for me.

The opening and title track is what made Opeth so great for me. It’s like an epic movie, musically laid out for you on one track. The highs and lows, the change from clean to scream vocals, and the change of grooves and riffs, plus the solos within this song alone is wondrous. It doesn’t end there however, as Baying Of The Hounds continues where the last track left off with more of the same, and the middle section is just sublime. Beneath The Mire starts with fat huge chords and a mellotron for added prog credibility. Atonement has a very Beatles feel to the intro, and has the most proggy vibe of the whole album. That huge cinematic feel returns with Reverie/ Harlequin Forest. Hours Of Wealth is a very delicate, almost folk vibe with just vocal, keys, and guitar. The Grand Conjuration is one of my favourite Opeth tracks. Again, a huge epic piece with killer riffs and grooves all the way through, and the ending is epic. The LP version ends with Isolation Years, a prog/folk vibe with a great Mikael vocal. A masterpiece album (and they have done a few of those) and every home should have one.

10/10 from The Grooveman.

SCORPIONS – Lovedrive

The end of one era for the band, and the beginning of another. After the departure of Uli Roth it was rumoured that Michael Schenker would be joining the band. He did contribute solos to the album, but it was the unknown Matthias Jabs who become the new guitar player. There was a different vibe to the music as well, with the more way out trippy tunes being phased out for a more hard rock heavy approach.

Another Piece Of Meat was the heaviest thing the band had done up until this point, with a great solo from Michael. Coast to Coast was another track with a solo from Michael, and unusual for the Scorps was an instrumental. The best track on the album is the opener Loving You Sunday Morning, a great riff and groove with a really tasty solo. There are some really dodgy moments as well. like the reggae of Is There Anybody There which is not great and does not work (for me anyway). Holiday the part-ballad part-rocker would be the track that would do well for them, especially in the US. Of course it was all up and up for the band after this album with Animal Magnetism and Blackout doing really well for them.

8/10 from The Grooveman.

EXTREME – s/t

It’s hard to believe that Extreme appeared right at the end of the whole hair rock thing, because you feel as though they have been around forever. But, this is their first album which only came out in ’89. Of course we all know how huge Pornograffitti was for the band, but the seeds for that album were made here. That whole funk under groove thing that made Porno so huge is all over this release as well.

The opening track Little Girls just grooves along with a killer vibe and groove that you just want to rock out with; plus big extra points for a ripping solo from Nuno. Wind Me Up is a a glam rock anthem, and you’d be frog for thinking they were from LA instead of Boston. Kid Ego (which was a single in Europe) has all the dirty funk swagger and harmonies that you associate with Extreme. A huge fat riff is at the intro to Watching, Waiting and it is a lighters-in-the-air type power ballad with a monster solo. Mutha closes out Side 1 and we start with a stunning solo piece from Nuno, before hair metal heaven ensues with a superb riff to the main song.

Side 2 kicks off with Teachers Pet and it’s more of the same: a kick ass funky riff and groove, big harmonies, and MORE guitar. Big Boys Don’t Cry could be the funkiest track on the album with some great key changes to enhance the effect. Smoke Signals feels a little like Ice Cream Man right at the start, then we get back to more familiar territory with a dirty funk groove and beat, and Nuno really impresses on this one. Flesh N’ Blood follows and it’s the sleaziest track on the album with a very dirty riff. Rock A Bye Bye closes out the record. It has a Queen vibe right down to the piano intro, and a superb very Brian May solo piece right at the end. I know how Queen were a great influence on the band, and Queen producer Mack is at the helm for this record. A great record and a great band.

9/10 from The Grooveman.

THE JOE PERRY PROJECT – Once A Rocker Always A Rocker

After the poor sales of the second JPP album he was dropped by CBS and was picked up by MCA. Of the three Project albums, this is the worst. I’m not sure who needed the Aerosmith reunion more, Tyler or Perry.

It’s not a bad album, it’s just not a good one either, it sits somewhere in between. There are some half decent attempts, namely the title track, which does a half good attempt at rocking. Then, Women In Chains has a strange weird country vibe, that makes it endearing. As well, Crossfire has a great riff with some nice slide playing and is ok. And, the last track Never Wanna Stop with an acoustic groove. There is a really bad cover of TRex’s Bang A Gong, and that’s about it. The first album is the best of the three by a mile ,and I would avoid getting this unless your are an Aerosmith completist

5.5/10 from The Grooveman.

« Older posts Newer posts »