REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 246 of 492)

LILLIAN AXE – s/t

This is the band’s first album released back in ’88, and was produced by Robbin Crosby from Ratt. Nope, they sound nothing like Ratt, but they are a heavy melodic rock band with the emphasis on the melody. The band revolve around vocalist and lead guitarist, Steve Blaze – a killer player with a decent enough voice.

Opener, Dream Of A Lifetime, is a killer tune with a big hook and riff, and heavy on the melody. Inside Out has a hint of sleaze and blame, but it’s the solo that stands out on this tune. Vision In The Night has a generic riff and groove that could be any melodic rock band of the time. Picture Perfect is a fun track with a simple riff and a hands in the air groove. The More That You Get is more of the same, and Mr. Crosby seems to be having a say in proceedings as this sounds very Ratt.

Over to Side 2 with Misery Loves Company, and the riff is a lift from a Ratt song, but slightly inverted – great tune though! Ballad time with Nobody Knows. Big keys in the intro to Hard Luck, and the guitars sound huge. Waiting In The Dark follows and the hook and chorus are huge – definitely the big production number. The album closes out with Laughing In Your Face and this my favourite – a great fun track with a really cool riff and the customary big sing-a-long chorus.

After their initial burst they sort of disappeared, only to sporadically reappear to release albums every now and then. There is a new album just out so the comeback is on…again!

8.5/10 from The Grooveman.

SUNBOMB – Evil And Devine

Another Frontiers created band that don’t really exist other than a studio project. This time they have brought together Michael Sweet from Stryper, and Tracii Guns from LA Guns. This is quite a heavy album and Tracii has written some killer riffs that range from speed metal, to very heavy old school Sabbath style tracks – like Take Me Away, which you’d swear was recorded in their Sabbaths prime years. Sweet’s vocals are awesome – he is really belting it out here.

This a very heavy album that neither of these two have done before. Tracii’s guitar work is a revelation throughout the album with epic riffage and ripping solos. My favourite track would be the title track, Evil And Devine. It has a killer riff and groove, and Sweet is really going for it. The production is awesome and Tracii gets bonus points for that. It would be cool if they would play this Live, but I can’t see that happening.

8.5/10 from The Grooveman.

THE BLACK KEYS – Let’s Rock

I’m not usually a fan of lo-fi music, but these guys seem to give me that itch I need to scratch. This album came out in 2019 after a five year gap. Again, it’s just the duo of Dan Auerbach and Pat Carney. The album contains 12 songs, nothing longer than 3.57 – that’s short and snappy and to the point.

I’m a huge fan of the blues, and this album is a groovy blues delight and is a superb record – plus I think it’s the best they have done. Quite a liberal use of the fuzz box – as you would expect – and it’s no coincidence that every man and his dog have done the same since the band became successful. It’s really tough to pick a favourite track as they are all quite different. I love the change in vibe from song to song, but if I’m pushed it would have to be Fire Walk With Me as I love the swing and groove, plus the Roy Orbison style vocals are just epic. A really cool band that make great records.

9/10 from The Grooveman.

MARSEILLE – s/t

If you are from the UK, you may remember a kid’s TV show called Art Attack with presenter Neil Buchanan. Well, before TV stardom Neil was a member of hard rock combo, Marseille. The band formed back in ’76 and were part of the NWOBHM scene. They were the first band from that explosion to release an album in the US, and that is what we have before us today.

I saw them support UFO around this time and they weren’t a bad band Live. The album opens up with Rock You Tonight – an up-tempo boogie with a certain Kinks riff I’m sure you’ve heard before. Armed And Ready has a slower groove and has a very UFO vibe about it. Over And Over follows and is more commercial with a very poppy hook and chorus, and doing a fine Def Leppard before Def Leppard did. Lady Of The Night closes out Side 1 and is one of the best tracks on the album. Again, taking cues from UFO, this is a very big arrangement and not as immediate as the rest of the album, but a great tune nonetheless.

Side 2 kicks in with Walking Through The Night and it’s back to the boogie – a great tune with a nice riff and infectious hook. Kites is the only track not written by the band and it’s not great. It sounds like a different band. You’re A Woman sounds like an LA sleaze band way before that was a thing, but has a cool riff and hook. Don’t Wanna Hurt You is next and it’s a ballad – meh! We end on a somewhat high note with Some Like It Hot. Definitely my favourite track. A great riff and groove. Did Leppard steal the the vibe and riff?

This album lacks a decent production and producer. Things could have been a whole lot different for these guys.

7/10 from The Grooveman.

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