REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 199 of 492)

WRATCHILD – The Bizz Suxx

At the end of the eighties in deepest darkest Wales there was a bargain basement glam movement appearing with Wrathchild and Tygertailz at the forefront. They were somewhat mirroring what their heroes were doing over the pond on the Sunset Strip.

More uptempo than their LA counterparts, who seemed to favour the Faces drunk down and out style, this is just a fun rock n’ roll record, no more no less. A lot of the tracks have lots of KK’s and ZZ’s in the titles in true stack heeled style. Favourite tracks are Hooligunz and Millionaire. Both have fun sing-a-long choruses and should put a smile on your face.

8/10 from The Grooveman.

LOUDNESS – Live-Loud-Alive

Loudness are probably the best metal/rock band to come from Japan. This live album was released in ’83 before their biggest albums were released in the west. I’m a huge fan of Akira Takasaki whose guitar playing is exceptiona, he is also a bit of a hero in his homeland.

If you only know them by Thunder In The East and Dissolution then you may not have heard any of these songs before. A lot more hard rock than metal, this is still a killer live album and worthy of buying just to hear Akira killing it. Highlights for me are the slow brooding and almost Sabbath track I Was The Sun, it has a superb solo. As well, Black Wall which builds from a Scorpions sounding intro to a double kick melodic metal romp where Akira really rips in. Akira gets his solo spot as part of Heavenward with over six minutes worth of fretwork destruction. My favourite track is Tusk Of Jaguar which is serious guitar overload with a drum solo at the end.

Great band and a great early live recording.

8.5/10 from The Grooveman.

ANGEL – Live Without A Net

Another band that had everything going for them but didn’t quite reach the heights or expectations. Very clever marketing by Casablanca who had Kiss as the evil and saw Angel as the exact opposite, dressing them all in white. I loved the pomp of the first album and The Tower is a killer opening track to that and this album as well. After that however, they were just another rock n’ roll band even venturing into pop. I mean it worked for Kiss right?

Angel live though, was another thing altogether as they were a great live band. If you were only going to have one Angel album in your collection it would have to be this. Rather annoyingly though Side 1 is paired with Side 4, and Side 3 with 2. My favourite tracks are the Tower and a great version of Mott The Hoople’s All The Young Dudes.

8/10 from The Grooveman.

DIAMOND HEAD – Borrowed Time

Diamond Head have always baffled me somewhat. Having some initial success with their own self-financed album and EP’s, they had a raw metallic sound but decided to polish themselves up a bit with the release of this: their first album on a major label.

There are two tracks on here that appeared on the first album: Lightning To The Nations, and the iconic Am I Evil. Now, we all know how much the first album influenced early thrash bands like Metallica, who have done covers of nearly all the tracks off of it, so why would Diamond Head change that raw sound? Well, for one thing they didn’t know what an influence that album would become, and it’s obvious if you listen to this and Canterbury that would come after, that they were heading in a  more experimental direction. Anyhoo enough of my ramblings, I really like this album as it’s now become a bit of a classic.

The album opens up with two monster tunes: In The Heat Of The Night and To Heaven From Hell, both are NWOBHM standards and To Heaven From Hell is my favourite. Call Me sounds as though they were trying to write a single, as the hook and chorus are very commercial. Lightning To The Nations closes out Side 1 and if you listen closely you can hear where Metallica got those ideas from.

The title track opens up Side 2 and this one has always lost me, it doesn’t fit with the rest of the record and would have been more at home on Canterbury. Sean Harris’s Robert Plant moment is next with Don’t You Ever Leave Me, and there are a few Zeppelin steals on this track. The album closes out with Am I Evil and I guess if you’re remembered for only one thing in your life then Diamond can hang their hats on this one.

8/10 from The Grooveman.

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