REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 193 of 492)

ELEGY – State Of Mind

Who remembers the good old days when rock was rock and pop was pop? Now, everything is split into a myriad of sub genres. Elegy for example, are listed as progressive power metal. This Dutch band were formed back in ’86 but it took them until ’92 to issue their first studio album.

State Of Mind is their fifth release, which came out in ’99. This copy is a reissue from those wonderful people at Night Of The Vinyl Dead. After the epic Disney Princess intro we jump straight into Visual Vortex. A great full on melodic metal masterpiece with Ian Parry showing what a huge set of pipes he has. Next up is Trust, also my favourite track. Superb, choppy, off-time riff with a nice hook and melody. Beyond slides on in next and it’s a fully penned Ian Parry tune, and the melody is high on the agenda on this one with a big shoutout to Henk Van De Lars for a killer solo. A nice, big, fat chord intro to Shadow Dancer before chugga’s drop in to drive the song along. The hook and chorus are superb and this is about as commercial this album gets. Side 1 closes out with Aladdin’s Cave. The intro and main riff have a very Arabic vibe and is quite dramatic. I would bet my last dollar that Dio-era Rainbow were a huge influence on these guys.

Over to Side 2 we go and the title track awaits. It’s more of the same, that’s really not a bad thing as the songs are very strong, well written, and well executed. Destiny Calling follows and it’s a showcase for Parry’s vocals. A dramatic power ballad intro before we get to the big hook and chorus. The short instrumental track Resurrection follows, and I would have just made it part of Loser’s Game. The beginning of which reminds me of Awake-era Dream Theater, in fact the whole groove does. Suppression is next up and this is more of a straight up hard rock song with a simple chugga riff. Last track Sweet Revenge is a bonus track for this version and you wonder why it wasn’t included on album. A nice fast driving groove, and the main vocal melody reminds me of early Alcatrazz.

Cool record.

8.5/10 from The Grooveman.

SAGA – Marathon

Another one of the Saga CD period albums that the band have put out recently on vinyl. This time it’s Marathon from 2003, the band’s fifteenth studio release. If any of you bought this on CD when it was originally released, it came with a surround sound version which sounded amazing. It’s good to see this release has been remastered just for this vinyl release. Glad to report it sounds amazing. SAGA are another Canadian band that just seemed to bubble under and not quite make it to the top. Which is a travesty really, because all their albums make the listener think, there was always a lot going on to keep you entertained.

Okay, so which tracks float my boat on this one? Well, I would say How Are You? is typical Saga with that choppy, quirky riff style that they do so well with some epic guitar from Ian Crichton. The vocals and melody are always superb and this track is no exception. Return To Forever is my favourite track. The musicality is just superb and the guitar is off the charts. The only other band that do this is Toto. You Know I Know is a close second for me as the playing is exceptional.

I definitely recommend you owning this one because it sounds superb.

9/10 from The Grooveman.

QUIET RIOT – QR

This album does not feature Kevin DuBrow who was replaced by Paul Shortino when DuBrow was fired before the recording sessions began for this album due to him running his mouth off all around town. Nothing new there right?

The only single released was opening track Stay With Me Tonight, which dented the lower regions of the charts. Truth be told the vibe and groove is totally different on this album, with a much more mature blues rock feel. Shortino is a great vocalist and they played to his strengths, but that wasn’t what the fans wanted. I really like this album, the songs are great just not very commercial.

Calling The Shots has a great groove and Carlos Cavazo plays some great guitar, and the hook and chorus are really cool. King Of The Hill is my favourite track. Killer riff and groove, and Shortino sings his ass off. This should have been a single! The Joker has a slow stomp groove and would have been great live with that call and repeat vocal. If the record company wanted to release a big commercial track they should have released Don’t Wanna Be Your Fool. Put a big video to that and winner winner chicken dinner.

I think the problem was that it wasn’t the guy with the big mouth fronting the band and the sound was just too different. Great album though!

8/10 from The Grooveman.

BLACK LABEL SOCIETY – Alcohol Fueled Brutality

This is a reissue of a live album from 2000. I’m sure everyone is familiar with Zak’s homage to Black Sabbath that he’s been doing for nearly twenty five years, as well as playing with the Oz man himself. It’s really noticeable how d-tuned everything is on this album with a real sludgy tone.

I actually like BLS on the album as Zak has some killer riffs and grooves, but this album is all one paced doom. My favourite track is actually his version of No More Tears, where the doom vibe works really well. I think Zak reached his peak with BLS with Order Of The Black and the tracks Parade Of The Dead, and Godspeed Hellbound, but unfortunately there is no groove like that on this album. His guitar tone is killer at times, but a lot of the time it’s down in the sludge and apparently Limp Bizkit sucks dick.

6.5/10 from The Grooveman.

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