REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 141 of 492)

SEA HAGS – s/t

The list gets forever longer with the late eighties one and they’re gone bands. Sea Hags were another band that were hyped up, especially if you read Sounds and Kerrang magazines. I think journalists were just looking for the next big rock band to break and sometimes went overboard with their praise.

If you are a lover of the biker/sleaze grooves that were coming out of Southern California then you may have already invested in the delights of the Sea Hags. Most of the tracks have that stripped back, rock n’ roll, boogie groove thing going  down. My highlights are Side 1 close out tune Back To The Grind which has slightly more going on than the rest of album. It has a variant to the stick boogie, a great guitar sound, and Ron Yocum doing his best Alice Cooper impression. My favourite track is Bunkbed Creek. An unusual tune for a band like this as it’s an instrumental. It’s not the type of instrumental that has full on wailing guitars either, but a brooding slowed down groover.

I’m not sure any of the members did a whole lot after this as they just disappeared. Not a bad album, but you can see why there was not a follow up.

7/10 from The Grooveman.

BLIND VENGEANCE – s/t

I’m not sure many people outside of Southern Ontario are familiar with Blind Vengeance. Hailing from Oshawa, this is the band that Harry Hess from Harem Scarem was in. This album first saw the light of day in ’85 and was the band’s second release.

There isn’t a whole lot on here that points the way to the future, and it’s only six years before HS would start recording. The songs are leaning more into metal world, as that was more popular at the time. Metal Over Mind is the standout track for me. A simple four to the floor groove with a simple riff and I’m sold. There is even attempt at some good old thrash with Give Me The Night. Plus, there is a tribute to Butchers shops everywhere with Free Meat.

Everyone has to start somewhere.

6.5/10 from The Grooveman.

GARY MOORE – Blues For Jimi

Other than being mixed for sonics, this is as live and raw as it was on that night in 2007 at the London Hippodrome when it was recorded. I’m not sure anyone else could have pulled this off other than Gary, and it’s nice to see him with the salmon pink Strat he used so often in his hard rockin’ days. If you’re a fan of Jimi, Gary, or you just love listening to guitar music then this is a must have.

Gary dose justice to the original rendition of the songs and adds solos that only he can do while keeping in line with the song. There is also an appearance from Mitch Mitchell and Billy Cox on Red House and Stone Free just to add to the magic of the occasion. All songs included are songs that Jimi recorded and made famous, except for My Angel which is a loud instrumental in Jimi’s style and written by Gary. I can pick any track as my favourite but I’m going with the amazing version of Angel. What an amazing player Mr. Moore was, and this song showing the quieter side of Jimi is just wonderful.

Great record.

9/10 from The Grooveman.

PLASMATICS – Metal Priestess

Although this is classed as an LP, I’m not sure six songs qualifies it as such. I think this originally came out in ’81 on the UK punk label, Stiff records. This album does not have much to do with punk however, as they had moved on and this was an attempt to break into the hard rock/metal market. It’s very basic in its execution and they have managed to capture how raw the band sounded. I think this was a stepping stone to Wendy’s solo career which would take off after this when Gene Simmons would have a huge part in the next chapter.

Sex Junkie is a not too bad a track, with the live audience over the top. Black Leather Monster is fun and reminds me of the Damned. In fact, Side 2 as a whole is much better than Side 1. I really like 12 Noon, which reminds me of early BOC. The close out tune Masterplan, again with the live audience is a high energy romp.

6/10 from The Grooveman.

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