I think it’s safe to say that Aerosmith were so big after the release of this record that they were on a different planet kind of huge. The Aerosmith of old were still here, but they were a lot more shiny and polished.

Outside writers were brought in to keep the machine fed with commerciality and to keep the money keep rolling in. Funny thing is the biggest song on the album, Love In An Elevator, was a good old toxic twins concoction, an in house creation.

Anyhoo, you don’t need me to tell you this is great album. After all, 10 million people can’t all be wrong.

9/10 from The Grooveman.