REVIEWS FROM MY VINYL COLLECTION

Day: March 13, 2025

BABYLON A.D. – Rome Wasn’t Built In A Day

It’s kinda cool that these guys are still around because they had it given to them and then had it taken away so to speak, and yet they are still plugging away. The one and only Clive Davis at Arista gave them a contract after having seen them at a showcase because he was so impressed by them.

Now, this is a brand new recording with what I think are all new songs. The first thing I noticed is the mix. It sounds flat and muffled, especially the drums, and it’s a tad off putting. The songs are well put together and a couple of them are awesome. The rasp of Derek Davis’ vocals even brings out the best in some of them.

Open with a bang they say, and that’s just what the band do here with Wrecking Machine. Killer track with a massive hook and chorus and this is what Davis’ vocals were made for. Pain and White Hot Bullet are the other two monster tunes on Side 1 both with heavy riffs that hit the spot. There are a couple of power ballads that really don’t do much for me because it’s not my thing. The other ripping track on the album is Super Beast, which closes out the record. Ironically, it is the only track that Davis didn’t write and it’s an instrumental.

It’s not a bad effort, but that mix could have been a lot better.

7/10 from The Grooveman.

WRATHCHILD AMERICA – Climbin The Walls

Not to be confused with their British counterparts with the same name, (hence the addition of America) these guys are a lot heavier and way more metal. They only released two albums and then they were done. I’m not sure what the other members are doing now, but drummer Shannon Larkin went on to drum for Ugly Kid Joe and Godsmack, and bassist Brad Divens played with Kix (I think).

Other than the instrumental track, Hernia which is just a space filler, the rest of the album is not bad and highly entertaining. I love the mix of traditional metal and thrash. Highlights for me are Climbin’ The Walls, No Deposit No Return, London After Midnight, and the epic (and my fave) Candy From A Madman. Musically, the Metallica and Maiden references are apparent throughout the album, but that’s not a bad thing, and lyrically they are quite inventive.

I’m sure the confusion with the name hurt them and maybe they should have picked another one, but what do I know. Fun album!

8/10 from The Grooveman.