REVIEWS FROM MY VINYL COLLECTION

Month: November 2024 (Page 1 of 6)

HOUSE OF LORDS – Full Tilt Overdrive

Bearing little resemblance to the band that recorded their first three albums from ’88 to ’92, this incarnation of House of Lords may just have released their strongest album since the awesome Demons Down. This album sees the introduction of one Mark Mangold of Touch fame on keys and songwriting to beef up the line up.

Jimi Bell on guitar is this band’s secret weapon, however. As a killer riffmeister and soloist, he really drives the band along and it’s the songs where he features most that are my favourites. In fact, the title track is my favourite song on the whole record. A ripping opening riff and groove drive this beast of a tune along and that main hook and chorus are just superb.

Of course, with this being a Frontiers release we have the obligatory issues with the pressing. Last track on Side 1, Cry Of The Wicked, skips like a CD when knocked so we know that this pressing is from a digital source. Plus, the surface noise on Side 4 is so loud it spoils the listening experience.

Musically it’s a 9/10 but the pressing quality is 4/10 from The Grooveman.

KEEL – Lay Down The Law

So, after Steeler went their separate ways it wasn’t long after that Keel was born. This is their debut album and was released in ’84 on Shrapnel Records. After this, they signed a major label contract with Vertigo and put out The Right To Rock which contained three songs from this release. They were Speed Demon, Tonight You’re Mine, and the Stones’ cover Let’s Spend The Night Together.

Anthems are Ron’s forte and that’s what made his name. Lay Down The Law, Born Ready, Metal Generation, and my favourite Speed Demon are this record’s anthem contributions. I do like a double guitar assault and Brian Jay and Marc Ferrari complement each other really well.

It’s not the best Keel album, it is quite raw sounding but for a debut, it rocks.

7.5/10 from The Grooveman.

SHOK PARIS – Concrete Killers

This is the third full length studio album by Shok Paris. It came out in ’89 and would be the last until Full Metal Jacket came out in 2020.

Good old fashioned heavy metal with a powerhouse vocalist is the recipe here. Vic Hix has an amazing set of pipes and the twin guitar riff machine that is Ken Erb and Eric Marderwald make a wonderful noise. Ken Erb was the only original member on all albums, but he recently passed and the band are now in limbo.

This album is not as strong as its predecessor Steel & Starlight, but there are still some great hidden nuggets of melodic metal goodness. The Heat And The Fire is a great up tempo groover. My favourite track is Find A Way Out with double kicks pounding all the way, Vic sounds like Graham Bonnet blasting it out and the solo is killer. Taking the tempo down a notch with Memories, which is a killer brooding monster of a tune.

They just needed that bit of luck and who knows.

8.5/10 from The Grooveman.

NASTY SAVAGE – Jeopardy Room

This is a brand new 2024 release from these Florida-based thrash metallers. They originally appeared around ’85 with their self-titled debut album, then they released a couple more albums up to ’89 , and then disappeared for 25 years until they put out Psycho Psycho, then after another break of 20 years this monster was unleashed.

It’s not too often these days that you come across a brand new old school thrash release as good as this one. The only original member is Nasty Ronnie on vocals, but that doesn’t matter a whole bunch because the quality is high octane and there is no let up until the bitter end. The triggers in the kick drum must be smoking as drummer Jim Coker seems to be doing a permanent 100m sprint.

It’s like being back in 84/85 as the vibe is all there. Southern Fried Homicide is just as good as anything Testament, Overkill, or Exodus were blasting out – maximum thrash riifage is on point. Tough one to pick a fave tune as there are a few contenders, but I’m going with I’m going with Aztec Eleagance. That cool dark eerie atmospheric intro is so cool and you just know that what comes next is gonna slay.

Well done Nasty Savage for releasing a great metal album with maximum groove and awesome riffing.

9/10 from The Grooveman.

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