REVIEWS FROM MY VINYL COLLECTION

Month: September 2024 (Page 3 of 7)

MACHINE HEAD – The Blackening

I was a massive fan of Burn My Eyes, it was such a stellar first album that I think they struggled for a while after, trying to find a voice because they seemed to float around in the ether. That is until Through The Ashes Of Empires, which was the precursor to this, their FINEST hour.

There are not many bands that six albums into their career release a masterpiece such as this. Make no bones about it, this a brutally heavy record and yet it is chock full of groove and loaded in dynamics.

Clenching The Fists Of Dissent is just monumentally heavy and yet grooves all the way to the fade out, and one of my fave metal tunes ever. Beautiful Mourning riffs its ass off all across your face and Rob Flynn sounds angry as though someone stole his cheetos. Aesthetics Of Hate has elements of old school thrash welded to the groove so you can see its DNA and the roots to the family tree of its birth. Now I Lay There Down is a slower paced track but that heavy low end groove is just so freakin’ cool, and I love the light and shade to this one.

Epic intro to Slanderous that will have you raging in your own invisible pit. The middle eight is doom central and evil as hell. A close second for fave track was Halo. I love the build at the intro and you can feel the explosion of heavy riffs and grooves that are about to come. Wolves has one of the busiest main riffs, and grooves like a beast. The whole shebang comes to a close with the fitting A Farewell To Arms. A very slow eerie build until the heavy chugga crunch descends onto your ears and that middle heavy riffing piece is just epic.

This is one of those albums where everything just comes together perfectly to create something special. I give you a near perfect metal album.

10/10 from The Grooveman.

VALENTINE – S/T

Although the band had been around since 1980, it wasn’t until 1990 that Valentine got an opportunity to record this classic AOR monster. Shortly after this release, they changed their name to Open Skyz. Main man Hugo was actually in the frame to replace Steve Perry in Journey, and that should give you a clue to the direction this record takes.

If Journey and Def Leppard were put in a blender then Valentine would pop out. Other than the obvious focal point of Hugo, Adam Holland is an absolute revelation on guitar and he sprinkles just the right amount of awesome on every track. Killer player! Yep, there are ballads and I can get over that when the songs are this good.

Highlights (and there are a lot) include opener Runnin’ On Luck Again. This track is the perfect way to open an album with the right amount of crunch and a killer hook and chorus. No Way keeps that vibe a rollin’. And my favourite track, Too Much Is Never Enough with a killer metal main riff, and I guarantee you will be singing that chorus. Where Are You Know, which opens Side 2 is a big rock anthem with the obligatory massive hook and chorus and the pomp of We Run.

The icing on the cake of this record is the superb production by Neil Kernon who brings out the best in the band. If they came a few years earlier, they would have been huge.I know I say that all the time, but great records like this shouldn’t have just been ignored because of the time they were released.

9/10 from The Grooveman.

NICK JOHNSTON – Child Of Bliss

Talking of guitar instrumental albums that should have structure and meaning and not just endless random noodling…here is the latest album from Canadian instrumentalist, Nick Johnston. For those of you who are unfamiliar with his solo work, this is album number seven.

Obvious comparisons here are Joe Satriani. Nick has that same composition style where what normally would be a vocal melody within a song, the guitar creates that melody and becomes the foundation of the song. Of course, there is soloing and Nick is one hell of a player, but this is not a heavy album with deep and heavy grooves, this is a more laid back affair where you sit and listen and appreciate the intricate melodies. My favourite piece is Side 2 opener, Memento Vivere. I love the swing and groove, and the melody and main hook are just so cool, not to mention the playing is exceptional.

Great record by a killer player.

9/10 from The Grooveman.

ALEX MASI – Attack Of The Neon Shark

After being in various bands as a guitarist (one of them even called Masi), he went solo for this album released in ’89. This is quite an odd album to listen to. As you would expect on a guitarist’s solo album, there are a few instrumentals and he does have a tendency to ramble with his playing and just shredding with no purpose.

Often sounding off key, it can be quite frustrating for the listener as he is undoubtedly a very gifted player. My favourite tune ironically is the only one with vocals and that’s the opening track, Open Fire. Believe me, I’m all for guitar instrumental albums as I have tons of them, but they need to have direction and structure to give balance and meaning.

You may ask why I bought this in the first place? Well, that was for the Jeff Scott Soto tune, but I actually thought he was on the whole record.

6/10 from The Grooveman.

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