REVIEWS FROM MY VINYL COLLECTION

Day: December 8, 2023

STEELER – Strike Back

This is not the Steeler with Ron Keel and Yngwie, but rather a German band of the same name (they actually named the band after the Judas Priest song of the same name). This was the start out point for guitar whizz, Axel Rudi Pell.

This was actually the third album the band put out, and there would be one more before they all went their separate ways. I do love these mid eighties metal albums as they are so much fun and they still cared about a hook and a melody.

Chain Gang is a kickass opener with a monster riff and Rudi Pell ripping it up. Money Doesn’t Count is a very similar tune with the riff driving the track. Danger Comeback is pure thrash with the double kicks pounding all the way. Vocalist Pete Burt does have a touch of the UDO’s about him, giving the album a slight Accept feel. Ice Cold has a big Judas Priest vibe going down, especially in the hook and chorus, and that riff is pure Priest. Messing Around With Fire closes out Side 1 and it is Priest-isms all the way.

Rockin’ The City rips into Side 2 with good old gallop, the lyrics are super cheesy but the riff is so good you just have to like it. Strike Back is next with an Overkill drum groove. I have to say I love the hook and chorus here, and that riff sounds huge. Night After Night is up next and it’s favourite tune time. A really simple fat riff, a four four groove, and I’m a happy camper. The album closes out with Waiting For A Star, and the pace slows for power ballad time.

This is a fun 80’s metal record with big choruses and lots of melody before the Cookie Monster came along.

8/10 from The Grooveman.

SANTANA – Shango

This is album number thirteen for Santana. It was released back in ’82 and that’s nearly an album a year since the release of their self-titled debut in ’69. By now they are a totally different beast to the one that played at Woodstock. A lot of the Latin influenced jams have now gone and what you get is a smooth rock/funk sound machine. Sure, the percussion is still there but it’s just an embellishment.

Ironically, the only Latin flavoured instrumental track, Nuevo York is my favourite. Hold On and Night Hunting Time are decent enough tracks, but it just feels like a treading water or contractual obligations album. The record lacks a real banger of a tune.

This album is a mile away from Inner Secrets, which is my favourite Santana record.

6.5/10 from The Grooveman.