REVIEWS FROM MY VINYL COLLECTION

Day: September 18, 2023

THIN LIZZY – Johnny The Fox

How do you follow up a masterpiece that is Jailbreak? It’s surprising they even did anything after it, with all the issues they were having at the time. Phil being hospitalized with hepatitis, and the ongoing confrontation with Brian Robertson. In fact, this would be Robbo’s last album as part of the band. He only co-wrote one song (Borderline) on this album so he wasn’t bringing too much to the table anyway, but the solo on Borderline is beautiful.

The big hit on the album and one of my all time favourite tunes is Don’t Believe A Word. It’s a perfect rock tune. Killer main riff and groove with Phil’s vocals just superb and the solos… oh my! It’s a true goosebumps tune! The other big track was the title song Johnny The Fox. A great funky under groove that was so different from anything else they were doing at the time. Let’s not forget Massacre, which was a return to the Jailbreak feel with the Celtic overtones.

I think you can call this a treading water album with flashes of Lizzy brilliance spread around, but it is still better than what most bands were putting out in ’77.

8/10 from The Grooveman.

LEE AARON – Elevate

So, here’s another blast from the past for ya! Well not actually. She has been around near enough constantly, just taking a break between 2004 to 2012 and giving up the rock to do some jazz. Since 2016 with the Fire And Gasoline album, she has returned to rock. I had the pleasure of seeing her and the band live this Canada Day and she put on a kick ass show, the voice still has all the power. Produced by Lee herself and mixed by Mike Fraser you get ten tunes of melodic rock goodness for you to digest that range, from straight up rock, to pop, and a few diversions in between.

She sure knows how to write a great hook that just drags you into the song. Freak Show is a perfect example of that, a great pop rock groove and believe me you will be singing the hook and chorus for days. Highway Romeo is power pop at its best. A simple chord progression, a flat four groove, and a so infectious hook and chorus; if this was ’85, radio would have been all over this. My favourite track is the last tune on the album, Elevate. I think it’s about the hell that is social media and the evils that it pushes. A slow but sleazy groove seems to fit the subject matter perfectly, and you will singing this baby all day as well.

Since she came back to rock, the records have all been great and this one is no different.

9/10 from The Grooveman.