REVIEWS FROM MY VINYL COLLECTION

Month: July 2023 (Page 4 of 10)

JAMES LABRIE – Elements Of Persuasion

This is James’ first solo outing, although there were the two Mullmuzzler albums which preceded this. Elements Of Persuasion was originally released in 2005, although this reissue came out as part of RSD Black Friday in 2021. It’s got to be hard to release an album with your own identity when your are the vocalist for Prog metal’s shining stars, Dream Theater, especially when you’re plowing the same furrow with your solo project.

The first track Crucify could have been a DT track around the Train Of Thought period as the vibe and guitar tone is very similar. Alone however is different with a djenty nu metal groove, which sounds really cool. Freaks keeps that vibe going. Heavy down tuned guitar with quirky samples and keyboards. DT vibes return for my favourite track, Invisible. Dirty fat riffs are my favourite thing, and this one is deep, down, and dirty. Total vibe change for Lost, that main groove and keys are almost funky. Nice change! The heaviest and lowest of riffs open up Undecided. I love Matt Guillory’s guitar on this one. Again, a nice change of pace and groove for Smashed that gives LaBrie a chance to show that breathy style he is famous for.

More deep and heavy riifage for Pretender. I’m guessing old James likes the heavier side of life more than he lets on. Slightly Out Of Reach is as close as this album gets to smooth jazz/Prog. A nice laid back interlude. Nu metal vibes for Oblivious, that intro is almost Korn. In To Deep jumps between total all out modern metal, and his more Prog comfort zone. Drained closes out the album and I love that riff and guitar sound mixed with the melody of the keys.

So there you have it, a quite enjoyable Prog metal romp and it’s good to see old Jimbo outside the confines of DT, as let’s face it, he doesn’t contribute much lyrically to that band. Great album!

9/10 from The Grooveman.

AXXIS – Kingdom Of The Night

This is the first album from these German hard rockers, and it was (at the time) the best selling debut album by a hard rock band in Germany. They have consistently put out product since, culminating in 2020’s digital EP Virus Of A Modern Time. I’m not sure they made any headway outside of Europe, but I guess it don’t matter a whole bunch when all your releases chart.

The opening and track Living In A World is more of an AOR/pomp vibe than metal, but second track in and title track has the double kicks going and riffs a plenty. Never Say Never is very Eurovision (at least in the vocals and melody), the main riff however has a medieval feel to it. Great track though. Fire and Ice is a seriously cheesy sounding ballad that does nothing for me. Young Souls brings Side 1 to an end and it sounds like some late seventies pop tune.

For A Song opens up Side 2. The main groove sort of reminds of Status Quo and the vocals do begin to irritate after a while. The rest of the album just goes by until we get to the best track on the album: Kings Made Of Steel. It feels like a double kick shuffle is being played, but I like it.

This album hasn’t aged very well I’m afraid.

6/10 from The Grooveman.

WHITE WOLF – Standing Alone

This is the debut album from Canada’s White Wolf, released back in ’84 although they have been around since the mid 70’s. They did a comeback in 2007 after they split up in late ’86 and released a new album through Escape Music. As with a lot of Canadian rock bands, they have that something that separates them from their American counterparts. It’s hard to explain but it’s a sound and a vibe.

Vocalist Don Wilk reminds me of Graham Bonnet with his phrasing and tone. Headlines could have been an Alcatraz tune as the vocals and harmonies are so close. I would say that’s my favourite track. Other highlights are the Styx sounding Shadows Of The Night and the NWOBHM riffing of close out track Trust Me. They are like having two bands in one as they flip flop between the pomp and the straight up hard rock, which I think they are best at.

Not a bad album, although I do prefer their second album.

7.5/10 from The Grooveman.

BLONZ – s/t

I know I say this quite a lot: “if these guys would have released this five years earlier…” but for these guys, it’s true. They could have given any hair band of the time a run for their money. This album has a killer production courtesy of Kansas Steve Walsh and somebody obviously believed in them, for a short while at least. You won’t find much written about these guys as they just disappeared after this album which came out in ’90.

The first two tracks Miracles and Hands Of Love are absolutely huge melodic gems, and you will struggle to find a better opening than this within the genre. Great hooks and choruses, a huge sound you just have to sing a long. It’s The Same has a different vibe starting with a rockin’ country blues groove, then when the big guitar kicks in that little bit of funk is the cherry on the top. Nice acoustic intro to Troubled Child before we settle down to a four to floor kick ass rocker and this is my favourite song on the record. Great tune! What’s On Your Mind closes out Side 1 and we’ve finally reached the ballad. We’re talking Journey quality ballad with big solo as well.

Over to Side 2 with One And Only, and it’s back to the rock with a killer choppy riff and matching groove with a great swing. The middle eight is superb! Rainbow follows and the Bon Jovi vibes are huge here with this big power ballad. A nice fat riff greets your ears at the intro to Skintight. A definite Friday night party tune with a chorus that will stick in your head for days. Another killer riff opens Sexy Ride. I love the groove and swing to this one, not your normal 4×4. Killer playing as well! The album closes out with Last Call (For Alcohol) a straight up fun time groover.

I can guarantee that they are the best hair band you’ve never heard of, and you should track a copy of this album down.

10/10 from The Grooveman.

« Older posts Newer posts »