REVIEWS FROM MY VINYL COLLECTION

Month: May 2023 (Page 7 of 11)

WHITECHAPEL – Kin

Sometimes record companies do pay attention and get the packaging just right. This album is a case in point as the vinyl matches perfectly with the album art and looks stellar.

This is album number eight for Whitechapel and was released in 2021. Now I don’t delve too far in the growl and grunt vocals as it usually drives me nuts, but occasionally a band do it well and mix it with the cleans.

First track I Will Find You is a monster tune and it’s deep in Prog metal territory. The musicality is superb and the switch from dark to clean vocals fits really well. Lost Boy is so fast initially it’s hard to keep pace with the changes, then everything stops and changes pace with the clean vocals kicking in. They do it so well! A Bloodsoaked Symphony starts with a slow evil dirge and the riff is played so low the guitarist must be in Australia. Side 1 closes out with Anticure, a strangely beautiful song with what sounds like fuzzed up acoustic guitars and a clean vocal for the most part.

Over to Side 2 with The Ones That Made Us and again, a riff so low and heavy we are in wooly strings territory. The main verse has a groove that you can actually move to. Alex Rudinger is a monster on the drums, some of kicks are insanely fast. History Silent is another tune that starts with a delicate sounding vocal, and I love the ying and yang between the two. To The Wolves is so fast and intense at the intro it’s hard to keep up with the groove, and this is where death metal loses me I’m afraid. The song is super cool when it slows down and the middle section is killer. Orphan is the last track on Side 2. A slower paced groove with a clean vocal and the vibe feels somewhat dark.

Over to Side 3 and the final side as 4 is the dreaded etched side. After a delicate acoustic intro the heavy slams in like blunt force trauma to Without You, Without Us. The song ebbs and flows between light and dark throughout. The title track Kin closes out the album and for the most part it’s just acoustic keys and vocals, and then the middle eight is killer. This is about as traditional a rock song as these guys do, it’s superb and it’s my favourite tune.

I really like this album a lot and I’m sure a lot of you would to.

9/10 from The Grooveman.

CACOPHONY – Speed Metal Symphony

Back in the mists of time these guys were breaking ground with this type of music after Satriani and Vai paved the way for guitar widdle fests like this. They found the perfect home for their music with Mike Varney’s Shrapnel records, who loved all things guitar and heavy. Of course you can just flip through YouTube and see a million wannabes wildling away in their bedrooms claiming to be the next best thing, but nearly all of them are doing nothing original and basically doing keep fit in guitar.

It takes skill to put that into a song or an instrumental that people actually want to hear. This is quite a challenging record with vibes ranging from out and out thrash ( Where My Fortune Lies), to near classical tunes (The Ninja), or breathtaking pieces like the title track and my favourite Speed Metal Symphony. The playing is outstanding and the dexterity and strength to play like that is amazing.

8/10 from The Grooveman.

STEELHEART – s/t

Right band, wrong time. By the time this album appeared in 90s the end was nigh for bands like this as the doom and depression of Seattle was banging on the door.  I remember seeing this album in bargain bins along with Tora Tora, Roxy Blue, Wildside, and a whole bunch of others. Now they go for big money! I’m giving the impression that this album isn’t that good. Well, that is definitely not the case as this is a definite 100% big hair rock banger.

Right from the get go with Love Ain’t Easy, this album rocks. Big fat riff with some killer guitar from Chris Risola and a hook so catchy you’ll be singing all day. Can’t Stop Me Lovin’ You is a monster tune and gets my vote for favourite track. Man that guy can play! Killer solo. The quality continues with Like Never Before, another sing-a-long banger with a massive chorus. The single I’ll Never Let You go follows and it reached #23 in the US, which I guess makes them a one hit wonder. Side 1 closes out with Everybody Loves Eileen, a fun mid tempo rocker with a nice simple riff and catchy hook.

Epic intro to Side 2 opener Sheila, with a huge sounding guitar for what is basically a simple, slow, groovin’ blues. Gimme Gimme is next up, a glam sleaze fest typical of the Sunset Trip vibe even though they are east coast boys. Rock N’ Roll, I Just Wanna is the speediest track on the album with yet another variation of “THAT” riff… and the solo is killer. Time for the mood killer next with the ballad She’s Gone. The guitar is killer but I just don’t like ballads. The album closes out with Down N’ Dirty and we are going out with a bang. A super fun song that hits the spot and you just have to sing along.

A great sounding album, definitely recommended.

9/10 from The Grooveman.

KEEL – The Final Frontier

This is album number three for the band that everyone loved to hate and it was also the highest charting album Keel had, peaking at #53. Again, this album was produced by Gene Simmons giving it that Kiss sound. I think the main reason that the hate comes their way is for the vocals of Mr. Keel himself, as they are not that great and very similar in each track.

Musically, they have their moments mainly due to the Marc Ferrari songs. Rock N’ Roll Animal sounds huge and I love the guitar sound, and even the vocal harmonies are cool. Raised On Rock was a single from the album and is a mildly entertaining chest thumper. The best song on the album is the only uptempo rocker on the record and the last track, No Pain No Gain. Great riff and groove and there definitely should have been more of these on the album.

6.5/10 from The Grooveman.

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