REVIEWS FROM MY VINYL COLLECTION

Month: April 2023 (Page 5 of 7)

ROYAL HUNT – Fear

This is Royal Hunt’s fifth album and the first to feature John West on vocals, it was released back in ’99. Keyboardist and leader Andre Anderson wrote everything on the album, and there is a big keyboard presence as there is with the majority of the band’s albums. It’s only seven tracks, but boy do they fit a lot into them.

The album kicks off with the title track and a majestic intro sequence that leads into an epic tune. West has such control over that huge voice, from soft cleans to max overdrive. Killer opening! Faces Of War follows, it opens with a great bass line with some killer keyboard and guitar riffage, and double kicks pounding underneath, definitely my favourite. It has huge classical vibes, and that word epic comes to mind again. Cold City Lights is the most accessible track on the album. It’s a very commercial sounding melody with a killer hook and chorus.

Side 2 kicks in with the fat huge riff of Lies and the accompanying classical intro to go with it. That choppy guitar in the verse gives me huge Saga vibes, but this is euro metal at its finest. Monster ballad time next with Follow Me, emphasis on the monster. Voices follows and again, it’s an another huge majestic intro with the keys set to orchestra mode. Killer harmonies! Onto the last track: Sea Of Time. Superb echo and repeat guitar intro, I love the vocal harmonies.

Really good record!

9/10 from The Grooveman.

SAIGON KICK – Water

This is Saigon Kick’s third album, and if you believe some of the media reviews, this was the runt of the family. Over the three albums the band initially released, they changed a lot. Starting off within the “hair metal” brigade, then evolved into something a whole lot more. By the time this album came out they were a three piece with Jason Bieler being the main focus on guitar and vocals.

One Step Closer opens up the album and it’s clear the sound has progressed with a riff and groove reminiscent of Kings X. Superb tune! A cover of Bowie’s Space Oddity follows, and I have to say it’s one of the better versions I have heard. Jason’s voice just fits perfectly. The title track follows and is such a beautiful piece set to a sparse programmed instrumentation. Torture has a delicious, deep, heavy sounding riff with such killer melodic vocals, and a ripping solo. Fields Of Rape has a slow, almost country vibe to parts of the tune, with a short but awesome solo. We end Side 1 with I Love You which starts a bit like a child’s lullaby and is a love song to someone most dear.

Sgt Steve opens up Side 2 and I guess by design, it feels like the Beatles. My Hearts starts with a pounding native beat, with a fat guitar riff and vocal melody over the top. A very striking sound. On And On has a great funky groove to the main hook, with hints of the Police in there as well. The Way is an oh so slow, almost blues vibe, and it feels like The Black Keys before they were a thing. Sentimental Girl is a fun hard rock ragtime tune that feels a lot like Queen at their most adventurous. Close To You, again has those native drums and a vocal that sounds like The Cult. When You Were Mine  follows and those Sgt Pepper vibes are strong with a huge sounding string section. The album closes out with Reprise, a short book ending piece.

If you follow Jason Bieler on the web, it’s obvious that this was his baby as everything he has done after this has been a take off point. This is not an immediate catch on record, it takes time to sink in. Great band!

9/10 from The Grooveman.

LONERIDER – Sundown

This is Lonerider’s second album, a part time project or full time band? Again it features the vocal talents of FM main man Steve Overland, Free Drummer Simon Kirke, Chris Childs of Thunder, and Steve Morris of Heartland.

This is a very slick sounding, well produced album that carries on where the first album left off. Fantasyland kicks the album off with a great riff, and Steve’s smooth vocals are the highlight, with a seriously catchy chorus. Cross The Border follows and it has a hint of Free, with a very huge southern rock groove going down as well. Undefeatable has that big classic rock feel complete with the big chorus and hook. It’s ballad time next with Harder Love and… well, it’s a ballad. When You Got Nothing feels a bit Bad Co-ish with that dirty riff and chorus. Any Way The Wind Blows closes out Side 1 and it’s a slow country style ballad.

Side 2 starts with Yesterdays News, my favourite track. A very classic British sounding, mid-seventies, rock track with a nice riff and melody. Badlands follows and those southern vibes are really strong here. Great riff and the harmonies are superb. Wild River rides on in, and Nashville is screaming at me with the slide and that country feel. Criminal Minds has a riff that is just different enough to stop Bon Jovi plagiarism shouts going out. Love To Love has that swing and groove that screams Bad Co. Great tune! We close out the record with Long Time Gone, a smooth slick slow tempo brooding piece.

Other than the European AOR anoraks, I’m not sure who this will appeal to as albums don’t get made like this anymore. A very slick, classic sounding album.

8/10 from The Grooveman.

SUGAR RAY – Lemonade and Brownies

Sugar Ray are a band that crosses genres, they started out as a funk rock band in the mid 80’s. This album is by far their best album, as they went super smooth and slick after this. Rock, punk, funk, and Rap; their sound is a mix of all those rolled into one.

This album is highly entertaining and has a great groove and sound with the guitars high in the mix. After the short intro the record explodes with Rhyme Stealer, a killer rock/ rap crossover with a fat riff and killer groove. Iron Mic carries on with that vibe, with an homage to Mr. Tyson – a seriously groovy track that explodes to mass riffage at the end. Favourite track is Mean Machine. It has a huge, fat, riff and a punky attitude – this track just blasts. There are some killer hip hop grooves and beats all over this album coupled with max riffage, even on throw away tracks like Drive By.

Easily their best album and a great, fun record.

9/10 from The Grooveman.

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