REVIEWS FROM MY VINYL COLLECTION

Day: April 27, 2023

LILLIAN AXE – Fields Of Yesterday

This is a first time vinyl release for this hard rockin’ record. It was originally only available through the UK boutique rock label Z Records back in ’99. The material on here was originally demos and outtakes but have been cleaned up and I really like this record.

The vibe on the first track Death Valley Days reminds a little of Saigon Kick, I think mainly through the vocal delivery of Ron Taylor but it’s still a kick-ass tune. Do It follows and starts with a huge progressive feel and I’m loving the quirky feel to the melody, and that solo sounds killer. Twilight In Hell rips in with a huge sounding monster riff and I’m not sure anyone sounds quite like these guys as they do have their own sound, and I mean in that in a good way. For Crying Out Loud closes out the first side and we are now in a power pop groove as the vibe is definitely Cheap Trick with a classical undertone.

The Last Time carries on that power pop groove with a really catchy hook line. Calm Before The Storm does feel like it was a cleaned up demo as the production is a bit mushy in places but it doesn’t spoil my enjoyment of what is a a great song. Pulling The Rats Out reminds me of classic Aerosmith, at least with that initial riff and groove. When It Rains brings Side 2 to an end with a ballad.

It’s favourite track time with Side 3 opener Daddy Long Legs. Superb riff and groove with some epic guitar. The mushy drum sound reappears however. A big epic intro to Blood On The Moon gives way to a more straight ahead anthem rocker. Kill Me Again is the one track you can definitely say this sounds like a demo. Great song with a very flat sound. A seriously nasty guitar sound announces the arrival of Become A Monster, quite literally a beast of a tune. Superb vocal harmonies at the intro to Throw You Away, another great tune but the drum machine is a tad tiresome. The album ends with Thirst, a huge sounding tune that travels into the realms of Prog metal.

I’d like to hear some of these “demo” tracks fully completed, but I guess there isn’t much chance of ever happening.

8.5/10 from The Grooveman.

THE CULT – Sonic Temple

This is where The Cult went into the big leagues. Everything came together perfectly for this album, great songs that were made to sound superb by a killer production from Bob Rock. I know he has his haters in the rock world, but for a band like The Cult he was tailor made for them. I also think the album cover is really cool as well, with guitarist Billy Duffy giving it the big guitar hero pose.

This was The Cult’s fourth album, released in late April ’89. Four singles were released from the record: Fire Woman, Edie (Ciao Baby), Sun King, and Sweet Soul Sister. Of which, Fire Woman does it most for me. Every song feels as though it’s a big anthem, but the biggest sounding of them all is Souls Asylum driven by that big Zeppelin style drum sound – it’s my favourite on the album.

Glad to see they are still out there making good records, but this album is their career high point and is a worthy addition to anyone’s collection.

9/10 from The Grooveman.