REVIEWS FROM MY VINYL COLLECTION

Day: March 20, 2023

COHEED AND CAMBRIA – No World For Tomorrow

Now here is a band that take the whole conceptual album thing to the max. This album is a companion piece to The Armory Wars, which was transcribed into comic books and even a novel called Year Of The Black Rainbow. As you would expect the music is vast and challenging, as are the books. Prog metal is an amazing genre that encapsulates a wide variety of styles.

No World For Tomorrow is a very heavy riff laden beast, whereas The Hound (Of Blood And Rank) is a very groovy almost power pop slice of awesome, and it’s my favourite track. Feathers starts with a very simple chord riff with the melody and hook being very accessible. The Running Free is up next and the chugga guitar sounds huge, and I’m loving the main vocal melody. I suppose Mother Superior could be pigeon holed as a ballad, great harmonies though. Gravemakers  &

Gunslingers has an old school metal groove to the music but the vocals are very modern sounding, especially with the squeezing as many words as possible into a melody line thing. Justice In Murder follows and the main riff is NWOBHM as right out of 1981. The third and final side is given up to the epic The End Complete, which is split into five parts and is the huge centrepiece of the whole album. A fitting end to an amazing album. Only gripe is Side 4 being an etched side.

An amazing band with a huge imagination.

9/10 from The Grooveman.

STEVE HACKETT – Defector

This is Steve’s fourth studio album. Of course, he came to attention from being a part of Genesis in their most loved period from ’71-’77, and it was a big shock when he jumped ship to go solo at the time. Now, it seems quite ironic to me that he is touring and covering those Genesis albums he played on live.

It’s an album of contrasts for sure, covering spaced out prog epics like The Steppes, Two Vamps As Guest, and Slogans, and then there’s an almost west coast soft rock feel to tunes like Time To Get Out. My favourite track is The Show. This could have been Genesis. The vibe and flow of the song is pure mid-period Genesis. There’s also complete weirdness like Sentimental Institution which feels totally out of place.

This album is all over the map and sort of lacks cohesion as a whole but I find an interesting listen nonetheless.

7/10 from The Grooveman.