REVIEWS FROM MY VINYL COLLECTION

Month: March 2023 (Page 1 of 11)

HEAVY PETTIN – Rock Ain’t Dead

How do we put as much pressure as possible on a new young band ? I know! We will say they are the next Def Leppard. And that’s exactly what Sounds and Kerrang mags were doing at the time to Heavy Pettin.

This album was the band’s second, it was released in ’85 and Leppard were huge at this time. So let’s get into em! The album opens up with the hard rock majesty of the title track. A great tune with a killer groove and chorus. Sole Survivor follows and it is a melodic rock fans wet dream. Huge hook and chorus that scores high on the sing-a-long factor. China Boy is definitely a Leppard clone track right from the groove all through the melody and the main vocal. Lost In Love is next and this has single written all over it, but for some reason it wasn’t. Missed opportunity or what!? Side 1 ends with Northwinds. If melodic NWOBHM was a genre this would be it.

Side 2 kicks off with Angel. It has a huge fat drum sound with killer stereo riffing guitars. A great song, and again it’s high on the sing-a-long factor. Heart Attack follows and starts like some eighties pop band until the switch is flicked and we are into the best track on the album. Superb tune with a killer riff and groove, and I love the hook and chorus. Their finest hour? Quite possibly.

It’s ballad time next with Dream Time and Hamie’s vocals are awesome. Walkin’ With Angels is a fun uptempo melodic groover and it’s all about the vocals and harmonies. The album closes out with Throw A Party, an AC/DC-Leppard crossover, Friday night, feel good tune.

They released another album in ’89 called Big Bang and then they were done. You feel as though the record company let them down with this album as they should have done a lot more.

8.5/10 from The Grooveman.

RIOT – Born In America

The first three Riot albums are their best. There was something about Guy Speranza’s voice coupled with the killer hard rockin’ tunes that made them special. So when Speranza left because he couldn’t afford to do it no more, as he had a young family to take care of, it was a sad day indeed.

I’ve mentioned before how the whole vibe of the band changed when Rhett Forrester joined to accommodate his style of singing, and that continues throughout most of album number two. There are a couple of exceptions however: Wings Of Fire is a decent up temp rocker with a nice groove; Vigilante Killer which is my favourite track on the album, has a great groove and feels like Dianno era Maiden; and Heavy Metal Machine whose tempo is rockin’ the riff is just pure old school, and Rhett does his best Blackie Lawless impression (or is it the other way around?). There is a moment of high comedy with the inclusion of Devil Woman, a cover of a Cliff Richard tune. I mean c’mon, you can’t be struggling for material that mulch, surely.

7/10 from The Grooveman.

DOKKEN – Greatest Hits

A Dokken greatest hits album, now that’s a good idea. All is not what it seems however, as this is Dokken circa 2015 and I get why they did this but it leaves a sour taste.

The songs are all from the classic four albums and there are no modern tracks at all. The first thing you can’t ignore is how weak Don’s voice is compared to how it was. He can’t hit those notes anymore and there are a few extra enhancements on call when needed. The only other original member is Mick Brown on the drums. John Levin does a fair job on guitar, but it’s not George. The selection of songs are all the hits basically, but nothing too fast, all are at the same tempo. My favourite of the ones played here is Into The Fire.

I love Dokken and George is one of my favourite players, but it would have been nice if Don had asked George to do this.

8/10 from The Grooveman.

DREAM THEATER – Made In Japan

Now, to play one of the best live albums ever in its entirety as a second part of a live gig is one thing, but then to release it and put it out into the wild, takes balls of steel. The original Made In Japan is so good and Dream Theater do a pretty good job covering it, even with the little odd musical warm up parts and raps before and in between tunes.

Of course, Labrie is not Gillan, especially an Ian Gillan in his prime. I mean, he tries and he does a great job but…I have seen Dream Theater more than any other band and I loved when they did things like this when playing live. When they played Dark Side Of The Moon at the Hammy O, it was incredible.

It’s best just to sit back and enjoy a great band pay tribute to a great band. It sounds incredible though!

8.5/10 from The Grooveman.

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