REVIEWS FROM MY VINYL COLLECTION

Day: January 26, 2023

THE ROLLING STONES – Exile On Main Street

My two favourite Stones albums are this and Sticky Fingers, released one after the other when the band were in a gold period creatively. The main recording for this album took place in a villa in the south of France when the exotic substances were flowing. This is a very sprawling album that feels like every idea they had was put on tape and put out.

I love the loose feel, and the blues (or their take on it) is oozing from every groove. I don’t think the Stones got any better after this. There is a huge southern influence throughout this album after the recording of last album at Muscle Shoals.

Tumbling Dice is an obvious choice for favourite track, but I’m going for Shine A Light as that slight gospel vibe suits the band so well, and I love Mick Taylor’s solo. It’s a shame Mick Taylor didn’t stick around as he was perfect for the band.

This type of album would never get made today, as bands are not given the freedom to explore and create like the bands were in the late sixties, early seventies.

9/10 from The Grooveman.

JOE SATRIANI – What Happens Next

Being a fan of all things guitar, Joe Satriani has consistently released great records ever since I first became aware of him with Surfing With The Alien. This is Joe’s sixteenth release that came out in 2018. It was recorded as a 3-piece with Chad Smith on drums, and Glenn Hughes on bass. I really love this record, it has such a great groove and the production is superb.

Energy is very identifiable as Joe, but Catbot is just awesome. It has a monster bass line and Chad’s drums give Joe that platform to rip it up. Thunder On The Mountain starts with some experimental sounds and vibes, before the huge big beat arrives.

I’m going to skip to my favourite moments. As well as the already mentioned Catbot, the double kick blast of Headrush with a Peter Green inspired riff is up there, as well as the very funky Looper, which is my favourite piece on the album, and the reggae tinged Invisible.

Joe is a master of his craft and long may he release albums as good as this.

9/10 from The Grooveman.