REVIEWS FROM MY VINYL COLLECTION

Day: October 28, 2022

HERICANE ALICE – Tear The House Down

It’s 1990, and the great grunge unpleasantness was starting to take hold, and yet major labels were still signing quality hair bands hoping they would break through – and Hericane Alice fit perfectly into this little box. They actually have been a thing since ’84 when they formed in Minnesota. Coincidentally, they have just released a brand new album for streaming only at this point.

It’s basically standard melodic hair metal fare, but done very well indeed. Opener, Wild Young And Crazy, is a great uptempo groover with a great hook and chorus. Bad To Love has single written all over it, and again has a great hook and chorus – plus additional killer solo. Dream Girl starts in true power ballad style, but the emphasis on this track is the power with another killer solo thrown in. The title track is up next and it’s my favourite track with its up-tempo fun groove – it’s definitely a rock night special. Side 1 closes out with Badboy Breakout, and it’s another hands in the air anthem.

Need A Lover opens up Side 2 with a big fat riff and groove, and party time continues. Too Late is power ballad number two and it’s lifted by a killer solo. Shake Shake Shout is a mother-give-them-what-they-want crowd pleaser. The anthems keep on coming with Crank The Heat Up, and album closer I Walk Alone. A fun album to listen to, and still stands up well today.

9/10 from The Grooveman.

WATCHTOWER – Control And Resistance

Watchtower are probably one of the most influential metal bands you have never heard of. They have influenced many Prog metal bands and modern djent/math metal outfits, with the use of odd time signatures, many tempo changes, and unreal sweep solos. The band were initially formed in ’82, but it wasn’t until ’85 that they released their first album, Energetic Dissasmbly. This their second album and has a couple of line up changes with the introduction of Ron Jarzombeck on guitar, and the departure of Jason McMaster to Dangerous Toys.

The playing for the mid-eighties is insane, and I guess metal fans weren’t ready at this point. There are so many highlights for me on this album, Mayday In Kiev is like listening to four songs at once – every few bars it’s a different song. Jarzombeck’s playing is incredible. The one thing that I do find annoying at times is the vocals of Alan Tecchio as they just don’t fit. Putting that to one side, my favourite track is Hidden Instincts.

I get this isn’t for everyone, but the playing and time and groove changes are just nuts – it’s as if anything goes. Jarzombeck has gone on to form Spastic Inc and Blotted Science – both tech metal masterpieces and I urge anyone who likes instrumental tech metal/fusion to check them out.

8.5/10 from The Grooveman.