REVIEWS FROM MY VINYL COLLECTION

Day: September 20, 2022

THIN LIZZY – Live And Dangerous

In the tradition of great live albums that came out in the seventies, Live And Dangerous is a close runner-up to Made In Japan for the best. Recorded at various venues over a few tours, the Hammersmith Odeon and Seneca College in Toronto to name two, this is Lizzy at their supreme best. I saw them live around this time, and believe me they were a killer live band.

Heavily loaded with Jailbreak tunes which let’s face it, was their best album; this album just smokes. Side 3 with Cowboy Song, The Boys Are Back In Town, Don’t Believe A Word, Warrior, and Are You Ready has to be one of the best sides ever. The version of Warrior on this set is just killer, and for today is my favourite track on the album. Phil was such a great frontman. I miss Lizzy and that twin guitar attack a lot.

10/10 from The Grooveman.

KINO – Radio Voltaire

There seem to be a million project bands within the prog genre, and I guess Kino are one of them. Comprising of John Mitchell (Lonely Robot) on vocals and guitar, Pete Trewavas (Marillion) on bass, John Beck (It Bites) keyboards, and Craig Blundell (Frost) on the drums. This is their second proper album, released in 2018.

Radio Voltaire opens up the album and it’s a great piece of modern Prog with Mitchell’s distinctive voice driving the song with lots highs and lows. The Dead Club has a great heavy riff that reminds me a tad of Porcupine Tree, but there is a lot more going on musically. Idlewild slows the groove right down and Mitchell’s voice comes over as a more melodic Peter Gabriel, at least on this track and his solo is just wonderful. I Don’t Know Why is one of three songs that Trewevas has written on the album. The song has a very late 70’s feel to it, with great vocal harmonies. The best song on the album is I Won’t Break So Easily Anymore. It harks back to Prog epics of the past. A superb song with some killer playing from all involved. Temple Tudor has a medieval vibe with a great Mitchell vocal. Out Of Time is a runner up for my favourite track on the album, as I love the main riff and groove to the song. Grey Shapes On Concrete Fields, apart from the vocal, reminds me of Genesis. Keep The Faith I would describe as a prog anthemic ballad, with a really cool melodic solo. Save the epic to the last with The Silent Fighter Pilot, a huge song that just builds and builds; a very dramatic piece. I would call this a classic mode prog record.

8.5/10 from The Grooveman.