REVIEWS FROM MY VINYL COLLECTION

Month: August 2022 (Page 4 of 10)

PINK FLOYD – Wish You Were Here

Is this a Pink Floyd’s finest moment? They sure were on a roll – it started with Meddle, then DSOTM, and then this – you can add Animals to that as well – as these four albums were what Floyd were all about. This album still gives me goosebumps after all these years, and I bought it on its first week of release. Sonically superb, and this 2016 remaster sounds wonderful. Weirdly enough, original Floyd frontman, Syd Barrett, turned up to the sessions for this album and his physical appearance shocked the band.

Shine On You Crazy Diamond is dedicated to Sid and opens up the album – it’s my favourite track. It’s a superb recorded work – from the drawn out opening with Gilmour’s haunting guitar, and the groovy middle section with that epic sax solo – it’s one of the best pieces of music ever recorded. That’s just the first part, as it returns to play out the album on Side 2. Welcome To The Machine is just incredible with (what was at the time) basic synth effects to create that huge mechanical sound of the machine. Have A Cigar is the only somewhat normal tune on the album, as it still has normal strong structure.

It would have been really cool if they got Sid to say a line on the title track – it’s a track that barks back to old Floyd. Band’s just don’t get the time to conjure up something as deep as this today, as we want everything three weeks before it’s created. A genuine masterpiece.

10/10 from The Grooveman.

BRITNY FOX – Boys In Heat

This is the band’s second album that came out in ’89. Very similar in style to Cinderella, and that is mainly due to the gravelly vocal style of Tom Keifer and Dizzy Dean Davidson. In fact, Dizzy Dean would leave the band after this album to form Blackeyed Susan.

On to the tunes, and this album is a step up from their self titled debut. Opening track, In Motion, is a killer tune with a great groove and riff, and is slam-glam-thank-you-man. Standing In The Shadows follows and is more of the same with a cool hook and chorus. Hair Of The Dog is a cover of the Nazareth classic, and it’s pretty hard to cover a classic like that and improve on it – the original is better. Livin’ On A Dream is up next, and a deep heavy blues vibe starts things off before they sleaze things up nicely. She’s So Lonely has a sleazy main riff and a great hook and chorus, and if you close your eyes you’d think this was Cinderella. Dream On has the same vibe as Poison’s Every Rose, mainly due to the acoustic guitar. Long Way From Home closes out Side 1, and if anyone’s counting, that’s 7 tracks on Side 1. Short and to the point my friends. Very Bon Jovi in vibe and would have made a great single.

Side 2 rolls in with Plenty Of Love – a great fat riff and groove and it’s hair metal 101. Great track! Stevie is the second of two tracks that Dizzy Dean shares writing duties, and it’s quite a simple riff but heavy on the sleaze. Shine On starts with huge chords and has a slow vibe and groove. Angel In My Heart has monster chords, and they are trying their best to channel their inner Springsteen. Left Me Stray is AC/DC homage time, and then the album closes out with Longroad – it’s ballad time with that hint of country thrown in.

My favourite track is opening tune, In Motion. Don’t think Britny Fox got the credit they deserved, and things would change after this album.

8.5/10 from The Grooveman.

CALIGULA’S HORSE – Rise Radiant

The Prog metal world is a deep dark world where there are so many bands vying for your attention that it’s easy to miss killer releases that just fall by the wayside. This album had been out two years before I managed to hear a tune whilst bandcamping one night. So I dived in and bought the whole album.

First song in The Tempest reminds of djent royalty Tesseract, especially with the heavy groove and melodic vocal. The solo is really cool by Sam Vallen. Killer opening track!!! Slow Violence has a very busy main riff and a wicked groove. I love crazy time signatures! Salt leads you into a false sense of security with a very delicate piano intro, and then insanity ensues with a crazy drum pattern and heavy riffs aplenty. That then subsides into a beautiful delicate vocal. WOW!!! Resonate is a beautiful atmospheric piece with a delicate soft vocal. Oceanrise has a superb choppy main riff, and the drum groove is wonderful. Valkyrie has an insane riff and groove at the intro; this is my favourite track. Freaking awesome!!! Autumn is another beautiful melodic piece driven by the main acoustic guitar. The Ascent is technically the last track on the record proper, and it’s crazy riff city. The track is full of dynamic light and shade moments.

On the vinyl you get two bonus tracks, which are both covers. The first is a great version of Peter Gabriel’s Don’t Give Up, and the next is a cover of Split Enz’ Message To My Girl. Both oversee the band putting their stamp on each of them. It’s worth going down the rabbit whole on bandcamp as there are some amazing bands out there.

9/10 from The Grooveman.

THE POLICE – Around The World

If any of you have seen the documentary of The Police that this album comes from, then you know what a killer band The Police were at this time. They were all still friends and hungry for success, as this was recorded at various venues throughout the world just after the release of their second album, Regatta De Blanc.

There are nine tracks on offer here and the band are just smokin’. All Sting compositions apart from Daethwish which was a whole band tune, and Can’t Stand Losing You which was written by Sting and two outside writers. I won’t go through the tracks here as I’m sure you’re all familiar but I will say this: there is no one else like The Police either before or after. I saw them on their first tour and this one, and they were freaking awesome. Side 2 of this release is one of the best live recordings you will hear. On this recording my favourite track is Bring On The Night; such a killer version.

10/10 from The Grooveman.

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