REVIEWS FROM MY VINYL COLLECTION

Day: August 18, 2022

BLACK COUNTRY COMMUNION – 2

I’m not sure if this was released on vinyl when it first appeared in 2011, but this is the special glow in the dark reissue. Not a gimmick at all.

This is the second instalment of BCC’s mission to take us all back to the mid seventies and rocks finest hour. I mean Glenn lived and breathed it. In fact most of it went up his nose, so if anyone should be doing retro it is Glenn. But there is a lot more to this band of course, and Man In The Middle is a mix between old and new. A very old sounding riff mixed with a very heavy modern sound, and a killer hook and melody. The Battle Of Hadrians Wall is a killer track but with Joe singing it, it just feels like a Bonamassa solo tune and takes away from the band vibe. Save Me is a more laid back tune, but with still the heavy vibes and Joe’s playing is killer on this track. Smokestack Woman initial riff and vibe is pure Zeppelin and Jason is channeling his inner dad grooves. Faithless is pure Bonamassa with a great vocal from Glenn. An Ordinary Son is the big number of the album where vocal duties are somewhat shared. I Can See Your Spirit is just a huge riffed up rocker with Glenn doing his best to remind you it’s not a zeppelin riff. Little Secret is just good ole tats blues and this is all about Joe. Crossfire is what I would describe as a Glenn solo tune; a killer heavy funky riff and vibe, it’s what Glenn does best. The album closes out with Cold and it’s a big brooding monster of a close out track. I do like this band and I hope they record again, but I think it works best if they are a band and not doing solo songs within the band environment.

9/10 from the Grooveman.

DIRTY HONEY – s/t

Dirty Honey are the latest band to hang their flag on the retro rock bandwagon. Unlike most of them however, who go down the Zeppelin route, Dirty Honey are putting their own stamp on heavy 70’s grooves with a modern twist. They recently completed a co-headline tour with Mammoth WVH, and they showed what a killer live act they are. In fact, both bands just relied on killer tunes with no stage gimmicks.

California Dreamin’ opens up the album in kick ass style with a heavy melodic monster that should get the groove muscle throbbing. Mark Labelle has a stunning voice and The Wire sees him really letting it rip with his unreal range, and John Motto’s guitar adds that little spice. Tied Up has a deep Southern fried riff and groove with a funky undertone. Take My Hand has the biggest retro vibe so far with a killer monster riff and hook. Gypsy is my favourite track as it has an infectious riff and groove that will have your toe tappin’, couple that with a monster hook and chorus and we have a winner winner chicken dinner. The funk returns with No Warning and this is the only track with a hint of Zeppelin, but mostly Black Crowes vibes. Simple big fat chords announce the arrival of The Morning, and the guitars remind me of AC/DC somewhat. Last track Another Last Time is thick southern blues goodness with a killer vocal. There you have it, rock n’ roll is alive and well in young bands like this, and everything is looking good for the future.

9/10 from the Grooveman.