REVIEWS FROM MY VINYL COLLECTION

Day: July 15, 2022

DREAM THEATER – Octavarium

A very pivotal album for Dream Theater as a lot changed after this album, culminating in the departure of Mike Portnoy a couple of albums later. This was the last album on their major deal before they relocated to Roadrunner, and the sound beefed as well.

This album and Falling Into Infinity are my two favourite DT albums. I got to witness the band on this tour at Hammersmith Odeon for two nights. On the first, this album was played in its entirety, and on the second night they played Dark Side Of The Moon in full. Not much will ever beat those two shows and I think they plateaued after this.

This is such an incredible album, both in the writing and execution, it doesn’t get better than this in DT world. Take my word for it, this album should live in your home and you should play it often. Every track is epic. From the heavy riff and groove of The Root Of All Evil, to the delicate and beautiful The Answer Lies Within. My favourite track on this album, and possibly my fav DT track of all time, is the 24 minutes of utter Prog metal brilliance on the title track, Octavarium. Words cannot express how I’m affected by this track. From emotional feelings of euphoria and joy, to melancholic sadness at its ending. The band suffered with the departure of MP, as he was a huge part of the creative process, but life goes on as they say.

10/10 from The Grooveman.

MOLLY HATCHET- Flirting With Disaster

This is Molly Hatchet’s second album, released in ’79, and they most definitely are carrying on that southern tradition of producing some kick ass rock bands that started with the Allman Brothers. The Molly’s had that harder edge to their music though which aligned them more to the hard rock crowd. That three guitar attack, perfected by Skynyrd, was great live as the sound was really beefed up.

I’m not sure how many of the band on this album are still alive, as they have been struck by their fair share of tragedy over the years and the version of the band that goes around today has no original members. This is the album that I like the best as it has the right balance of crunch with that southern twist. Whiskey Man, the title track, and the amazing Boogie No More are my favourite tracks. Boogie No More starts with a real slow groove before the pace picks up and ends with all three guitarists duelling it out Freebird style, which is obligatory for every southern band. Haven’t played this in a while and it’s great to reconnect as it’s a really fun record.

8.5/10 from The Grooveman.