REVIEWS FROM MY VINYL COLLECTION

Day: June 30, 2022

EXTREME – s/t

It’s hard to believe that Extreme appeared right at the end of the whole hair rock thing, because you feel as though they have been around forever. But, this is their first album which only came out in ’89. Of course we all know how huge Pornograffitti was for the band, but the seeds for that album were made here. That whole funk under groove thing that made Porno so huge is all over this release as well.

The opening track Little Girls just grooves along with a killer vibe and groove that you just want to rock out with; plus big extra points for a ripping solo from Nuno. Wind Me Up is a a glam rock anthem, and you’d be frog for thinking they were from LA instead of Boston. Kid Ego (which was a single in Europe) has all the dirty funk swagger and harmonies that you associate with Extreme. A huge fat riff is at the intro to Watching, Waiting and it is a lighters-in-the-air type power ballad with a monster solo. Mutha closes out Side 1 and we start with a stunning solo piece from Nuno, before hair metal heaven ensues with a superb riff to the main song.

Side 2 kicks off with Teachers Pet and it’s more of the same: a kick ass funky riff and groove, big harmonies, and MORE guitar. Big Boys Don’t Cry could be the funkiest track on the album with some great key changes to enhance the effect. Smoke Signals feels a little like Ice Cream Man right at the start, then we get back to more familiar territory with a dirty funk groove and beat, and Nuno really impresses on this one. Flesh N’ Blood follows and it’s the sleaziest track on the album with a very dirty riff. Rock A Bye Bye closes out the record. It has a Queen vibe right down to the piano intro, and a superb very Brian May solo piece right at the end. I know how Queen were a great influence on the band, and Queen producer Mack is at the helm for this record. A great record and a great band.

9/10 from The Grooveman.

QUEENS OF THE STONE AGE – Era Vulgaris

Born out of the ashes of Kyuss (I love Welcome To Sky Valley), this is the band’s fifth release produced by Masters Of Reality’s Chris Goss; it does sound like a hybrid of Kyuss and Masters.

Turnin’ On The Screw opens up the album, and it’s an ok track but nothing special. Now Sick Sick Sick is a different beast altogether, a very simple repeating riff and groove that just gets in your brain. I’m Designer is a quirky offbeat oddity and Josh Homme’s vocals make the track. Into The Hollow has an old school blues vibe with an indie melody over the top. Misfit Love is fuzzed up weirdness and it seems to be going nowhere until the vocals kick in. Running Joke closes out Side 1 and it reminds me Chris Cornell in his darker moments. Battery Acid kicks off Side 2 with an almost punk riff and beat; it is an ok track. Make It Wit Chu follows, this could have been on any Masters album, and is a very groovy blues piece. 3’s & 7’s is all Nirvana strumming and again, if it wasn’t for the vocal it would be quite forgettable. Not a patch on Songs For The Deaf, it’s just an ok record.

6.5/10 from The Grooveman.

MR. BIG – s/t

Superb album!!! Not a bad note played, and for a debut album it’s up there with the best. On paper, great musicians make great records, and that is definitely the case here. Paul Gilbert was known for being a shredder both for his solo work and with Racer X, Billy Sheehan was fresh out of the David Lee Roth band and he plays bass like a guitar, Eric Martin is blessed with a set of pipes that you could only wish for, and Pat Torpey who sat on the drum stool for way too many people to mention here.

First up is Addicted To That Rush, and Billy is resurrecting that Shyboy fast bass groove thing with Gilbert really giving it the beans. Wind Me Up is such a killer track with a superb riff, massive hook and chorus, and everyone plays their ass off. Merciless is next, it starts with a very busy, almost funky groove, and settles down to a funk/rock hybrid, and Paul Gilbert just rips it up. Had Enough is a Billy Sheehan composition that starts with a bass solo and settles into a slow brooding melodic groover. Side 1 closes out with Blame It On My Youth, and what a killer sounding riff. Great vocal from Eric!

Side 2 opens up with Take A Walk, and it’s the best track on the album with a ripping riff and groove; Paul just rips it up and Eric is singing his ass off. Superb song!!! Big Love is an Eric written tune, and I love the swing and vocal to this track. How Can You Do What You Do follows, and was co-written with Eric and Jonathan Cain. Nope, t’s not a ballad – it’s a great uptempo pop/rock tune with short snappy Paul solo. Anything For You is the only ballad on the album but it’s a good one. The album closes out with Rock & Roll Over with a heavy blues rock groove. Great band, great album!!!

10/10 from the Grooveman.

THE JOE PERRY PROJECT – Once A Rocker Always A Rocker

After the poor sales of the second JPP album he was dropped by CBS and was picked up by MCA. Of the three Project albums, this is the worst. I’m not sure who needed the Aerosmith reunion more, Tyler or Perry.

It’s not a bad album, it’s just not a good one either, it sits somewhere in between. There are some half decent attempts, namely the title track, which does a half good attempt at rocking. Then, Women In Chains has a strange weird country vibe, that makes it endearing. As well, Crossfire has a great riff with some nice slide playing and is ok. And, the last track Never Wanna Stop with an acoustic groove. There is a really bad cover of TRex’s Bang A Gong, and that’s about it. The first album is the best of the three by a mile ,and I would avoid getting this unless your are an Aerosmith completist

5.5/10 from The Grooveman.