REVIEWS FROM MY VINYL COLLECTION

Day: June 15, 2022

JOE SATRIANI – Not Of This Earth

Other than his previous solo band Squares, who he recorded one album with, this is Joe’s second album released back in ’86. Joe opened  the door for all guitarists to release solo instrumental albums and brought them into the mainstream.

Not as commercial sounding as Alien, as there are moments of what I call fusion, this album is still a huge leap forward in terms of style. Joe has a great sense of melody to his playing which really appeals to me, and on tracks like Rubina (which I think is dedicated to his wife) the emotion he creates is jaw dropping. Then again, on The Enigmatic he is channeling his inner Robert Fripp, as this reminds me of King Crimson. Driving At Night is superb with its very eighties drum machine, keyboards, and killer guitar. Hordes Of Locusts is more of what we’d get on the next album with the same vibe and sound, and some serious fretboard gymnastics. Of course Joe is now at the top of the tree but this was a huge gamble when it first came out.

8/10 from The Grooveman.

TYGERS OF PAN TANG – Noises From The Cathouse

Disclaimer before we start this review is that I managed the band at the time this album came out. I haven’t played it in a long time and it brings back a lot of good memories, and a lot of bad ones as well.

This was the only album to feature Richie Wicks on vocals, who I asked to join the band after the departure of Tony Liddell. A lot of the songs are in a direction that the Tygers never went originally, and dare I say, a more progressive vibe is present. Cybernation, The Spirit Never Dies, and Deja Vu are all songs the Tygers of old would never have attempted. Big production numbers with killer arrangements. Highspeed Highway Superman (Two Wheeled Version) is the best song the band have ever done. A great Deano riff and idea, with a great groove, and superb vocal and lyric from Richie. There are of course more standard style rockers that Tygers fans will be more familiar with, like opener Bad Bad Kitty a fun old school four to the floor rocker, Running Man with its Thin Lizzy style twin guitars, and Three In A Bed a VH inspired uptempo rocker. The album closes out with the most ambitious song the band have ever written: Master Of Illusion. Richie’s imagination and vision just ran with this one lyrically and vocally, and the riff is very simple but sounds huge. However, my favourite track is The Spirit Never Dies; a monster of a tune that’s starts slow, and builds, and builds with a superb Richie vocal and a nice solo from Dean. This is the best thing the band have ever done as they stretched themselves almost beyond what they were capable of.

I could write a book about this period but it’s something I put to bed a long time ago.

9/10 from The Grooveman.