REVIEWS FROM MY VINYL COLLECTION

Day: June 11, 2022

TESTAMENT – Titans Of Creation

I have mentioned before that Testament should have been in the big four – at the expense of Slayer. They had the tunes and Slayer just had the image. This is the band’s 13th album released in 2020, and it has a very old sounding vibe to it. It’s not trying to be all modern metal, just good old thrash with plenty of groove and killer solos. They have one of the genre’s best guitar players in Alex Skolnick, and he rips it up all over the record. Gene Hoglan is the drummer on this album, and he has to be a machine with some of the beats he lays down here.

There is not a breath to be had with first three tracks that take up Side 1, Children Of The Next Level, WWIII, and Dream Deceiver – all are killer tunes with epic riffs and grooves. Night Of The Witch has such a wicked beat that I’m sure Hoglen is about to explode. The intro to City Of Angels is very dramatic, before we settle down to old school thrash groove-age. Killer guitar intro to Ishtar’s Gate, which is one of my favourites on the album. Big hats off to Chuck Billy whose vocals are on point throughout and sounds as good as ever. I’m a big sucker for chugga riffs, and The Healers hits the spot perfectly. Curse Of Osiris is fast – even by Testament’s standards. Woah boy! Code Of Hammurabi gets my vote for best track as it has a killer speed metal riff and groove that Megadeth could only dream of.

9.5/10 from The Grooveman.

CIRCUS OF POWER – s/t

This is the band’s first album released in ’88, and I guess you can file these guys under biker rock – well, that’s the image they give out in the album photos, and sonically it is very stripped down straight up barroom rock n roll.

The first track, Motor, gives you another clue or is it about a lady friend? It’s a great little tune with a nice sleazy groove. White Trash Queen is more of the same with a slight funky groove. Vocalist, Alex Mitchell, has that Jim Morrison thing down pretty good, and Call Of The Wild has that Doors thing going on – albeit with a heavier groove. Quite dark subject matter for next track, Needles, which starts off real slow before normal sleaze fest returns. Side 1 closes out with In The Wind, and it’s a sleaze anthem with not a bad hook.

Side 2 kicks off with Heart Attack with a stock AC/DC riff and uptempo beat, and it’s another ode to his err…lady. Crazy is up next with a very simple riff and slow groove. It’s my least favourite on the album as it doesn’t do a whole lot. Letters Home has a great uptempo groove with a hint of country thrown into the sleaze mix. Backseat Mama is the best track on the album. It rocks along at a decent pace and the riff is really cool. The album closes out with Machine, where Alex Mitchell proclaims he is our war machine. I’m sure Gene Simmons will sue him over that. Definitely not gonna change the world, but if you like the sleazier side of town, then this could be for you.

7.5/10 from The Grooveman.