REVIEWS FROM MY VINYL COLLECTION

Day: May 18, 2022

OZZY OSBOURNE – Blizzard Of Oz

For all of us mere mortals who lived outside of Southern California this was the first any of us had heard of Randy Rhoads. He came out of that same Pasadena scene that EVH and George Lynch came out of, albeit a couple of years later. He played on the first two Quiet Riot albums, but they just slipped by without gaining much attention.

As soon as you heard the opening to I Don’t Know, you knew you were hearing something special. A killer tone, sound, and a great band around him made all the difference. This and Diary Of A Madman are Ozzy’s best albums and that’s all down to the band with great playing and great songwriting. The only dodgy moment on this record is Goodbye To Romance, which is alien to everything else on the album, the rest of the album is just killer and it revitalized Ozzy’s career that’s for sure. Crazy Train, Mister Crowley, and Suicide Solution are all bonafide classics in their own right and a guitar hero was born. The solo in Suicide Solution, especially live, was a sight and sound to behold. Randy is sadly missed and we only have a small body of work to enjoy but he left was killer.

9.5/10 from the Grooveman.

PRONG – Zero Days

I’m a huge fan of the album Cleansing, which was released back in ’94. So how have the years treated this industrial metallic groove machine? This is the band’s last release which came out in 2017. On this album, main man Tommy Victor is joined by Mike Longworth on bass, and Art Cruz on drums – although I believe they now have left the band.

I’m pleased to say the groove is alive and well on tracks like the opener, However It May End, and Operation Of The Moral Law where the riffs and grooves just make you want to bounce. The overall vibe is more of a straight up metal record with hard fast beats and evil riffs. I have always heard a Killing Joke vibe on some of their tunes, and this continues on with this record on the tracks Blood Out Of Stone. On this track Tommy’s voice and delivery remind me of Jazz Coleman’s and even more so on Compulsive Future Projection, which has a great groove and a crunching riff. It’s great to see Tommy Victor still putting out great records that still mean something.

9/10 from the Grooveman.