REVIEWS FROM MY VINYL COLLECTION

Day: April 26, 2022

KILLING JOKE – Pylon

This the band’s 15th studio album released back in 2015 and was recorded with their original line up. They have always flirted with heavy metal, and fused their post-punk vibe with metal quite successfully, creating their own position in music’s sonic landscape. They have that knack of interjecting a groove and pulse in their music that makes you want to bounce. I’m not sure these are the right words to use, but the album feels quite polished as the production is huge.

I’m a big fan of the band and I think this album sits high in the band’s catalogue. Jazz is his normal angry and controversial self, Geordie is the usual riff and groove driver of the band, and Youth and Big Paul lay down that pulse we all love. Autonomous Zone, Dawn Of The Hive (with a monster riff), and New Cold War occupy the first side and they are all killer tracks – right up there with the band’s best for me. New Jerusalem has a very simple evil guitar sound that any metal band would have been proud of. Carrying on that sound with Delete, this time with a very simple riff and driving groove this is Killing Joke of old.

Glad to see them still churning out the angst with all the groove. Long may they do so!

9/10 from The Grooveman.

SHINEDOWN – The Sound Of Madness

This is the band’s third album, and for me it’s their best. They seem to get the same hate coming their way as do Nickelback, and I think this is mostly from older rock fans who think the music is created for the purpose of making money and not for the art. Anyway, I love this record. The songs are short and to the point, and the music seriously rocks. The songs are huge with great hooks and melodies, and the production is freaking awesome.

Band leader, Brent Smith, has a great voice with so much power in the delivery, and even though it feels as though the band is just a vehicle for his songs (no members of the band get any writing credits), this is a superb recording. The opening two tracks of Devour and the title track are a killer one-two opening. If it’s possible, we are shifting  gears in the melody and feels department with the stunning Second Chance.

This album is chock full of moments like these, and modern rock it most definitely is, but there is something for everyone here and I would definitely recommend this to anyone.

9/10 from The Grooveman.