REVIEWS FROM MY VINYL COLLECTION

Day: February 19, 2022

VAN HALEN – Women And Children First

As with all of the rest of the first six Van Halen albums, Women And Children First is a classic. Again, utilizing tracks that they had written and were playing in their back yard party and club days. Eddie Van Halen was a genius guitar player and composer for sure, and join that to a badass rhythm section comprising of his brother on drums and Michael Anthony on bass, then add to that mix the ultimate front man in Dave Lee Roth – ladies and haemorrhoids, we have a winner!

This album has a looser feel to the previous two albums, and with the two opening tracks of And The Cradle Will Rock and Everybody Wants Some, you won’t hear a better opening – believe me, no other band in existence could sound like that. The guitar intro and riff, plus the groove to Fools is so infectious it makes COVID look like a mild sniffle. The end to this song where the riff and chord pattern drop down is just the best. Romeo’s Delight is one of the forgotten VH tracks that doesn’t get mentioned a lot in peoples favourites, but this a killer tune full of attitude and great playing with a superb solo. There ends Side 1!

Tora Tora and Loss Of Control start up Side 2, and this as fast as the band go – all pedals are to the metal! The acoustic intro to Take Your Whiskey Home with just Eddie and Dave is pure joy, till the main sleazy riff kicks in – what a killer solo. The surprise on this album is the acoustic blues barroom groove of Could This Be Magic with awesome vocal harmonies. The album closes out with In A Simple Rhyme, another one of the “forgotten” VH tunes that I really love – especially the vocal harmonies. Just when you think it’s all over there is that weird intro that eludes to the next album.

Just 34 minutes of all killer no filler – and yes – every home should have one.

10/10 from The Grooveman.

BONFIRE – Fireworks

Believe it or not, the band released four albums under the name of Cacumen before the record company advised them to change the name to something a bit more catchy. They made the change for the Don’t Touch The Light album in ’86. The Fireworks album was the follow up release.

It’s a classic sounding hair metal album with all the clichés present and correct, and has a killer production by Michael Wagener. Ready 4 Reaction opens the album up in fine style with a killer riff and double kick groove. Nevermind follows and has a choppy riff with a sing-a-long chorus and superb guitar solo. Sleeping All Alone slows the pace down with a slow stomp beat, and a Journey style chorus with all the harmonies. Hans Ziller (who is the only member to be on every album) is one hell of a guitar player and his solos lift every song. Champion has a very metal riff and groove with a ripping solo. Don’t Get Me Wrong is very reminiscent of their countrymen the Scorpions with a very familiar feel.

Talking of the Scorpions, You Make Me Feel, which was also on the band’s previous album, has a very Winds Of Change vibe going down. The keyboard intro to Sweet Obsession sees the band at their melodic best – this should have been released as a single, especially in America. Rock Me Now has the big production vibe – it starts real slow before the galloping riff and beat kick in and could be my favourite on the album. American Nights has a very simple riff, a big chorus and melody, and as the title suggests, is very much aimed at the US. Fantasy is one of two ballads on the album and is tolerable with the big guitar chorus section. The album closes out with Give It A Try which is the other ballad – I don’t really like this much, as with all ballads from metal/rocks acts, they are mostly record company driven.

9/10 from The Grooveman.