REVIEWS FROM MY VINYL COLLECTION

Day: February 3, 2022

THE STRANGLERS – IV (Rattus Norvegicus)

I think this the very first punk album I bought, just after its release in ’77, although my memory is a bit fuzzy about that. There was way more to The Stranglers than the two chord heroes from the rest of the punk movement. They were around banging away for a few years before punk exploded, and had paid their dues somewhat – they could also write half decent songs. A big reason in what differed them from all the other punks was that the guitar was not the dominating sound – a lot of the songs were driven by the keyboards of Dave Greenfield.

This is one of the defining albums of the punk period as they were the first to have some chart success with the single, Peaches. There are some really good tunes here with the likes of Grip, Down In The Sewer, and Hanging Around. The surprise to me though is Princess Of The Streets with an old school blues vibe complete with a guitar solo – which was very un-punk. Still a fun album to listen to.

8.5/10 from The Grooveman.

TRANSATLANTIC – The Whirlwind

This is the third album from this prog supergroup/project. They bring together members of modern prog rock royalty: Neal Morse (Spock’s Beard), Mike Portnoy (Dream Theater), Pete Trewevas (Marillion), Roine Stolt (Flower Kings). They all found time to put this beast together, paying homage to the great prog bands of old with a modern twist. In true prog style, and to make this as overblown as possible, this album is one piece of music spread over four sides and indexed as 12 parts. Doesn’t get more prog than that does it kiddies?

In all seriousness though, this an amazing journey from beginning to end. It’s superbly played and written, full of highs and lows, with an amazing clarity and production. Controversial opinion coming up here, but I would say other than Portnoy, this is the best album that any of the others have been part of. Roine Stolt has come close with some of the Flower Kings albums. I’m not a Marillion fan, and Neal Morse leaves me cold lyrically, so its quite easy for me to make that judgement.

I grew up with the prog bands of the seventies, and this album is a wonderful tribute to those style of bands.

9.5/10 from The Grooveman.