REVIEWS FROM MY VINYL COLLECTION

Day: January 24, 2022

TRIUMPH – Rock & Roll Machine

Depending on where you are in the world, you may be looking at different front cover to this album as there are a few different variations. Hailing from Mississauga in Ontario, Gil Moore still has ties to the city as his Metalworks studio and school (which he runs) is located there.

This was the band’s first release from ’77. I’m sure a lot of bands at the time (especially if they were from the Toronto area) were influenced in some way by Rush, and I’m sure Triumph were. Maybe not sound wise, as they do have a more commercial approach, but in composition – definitely. Tracks like New York City Streets and The City, where the tracks are split into several parts, have a definite nod to Rush. Having two singers in a three piece is an abundance of Rich’s for sure, and the differing style vocals of guitarist Rik Emmet and drummer Gil Moore do complement each.

Most people will be familiar with the Progressions Of Power/Allied Forces era of the band where they were huge throughout North America, but this album is a band finding their feet in what they wanted to play. There are so many styles on this album, and they have a lot in common with jam bands of the time. It’s the harder rockin’ tracks that do it for me like Bringing It On Home, and Rock & Roll Machine, where the band really let fly. I really love the jam vibe to New York City and that’s my favourite on the whole album.

8.5/10 from The Grooveman.

WAYSTED – Vices

Having departed UFO originally to form Fastway with Motorheads Eddie Clark, (which lasted about as long as it takes drink a pint at your local), Pete decided to form his own outfit alongside Scottish vocalist Fin (Ian Muir). This is the first album that was released in ’83. The sound on this album bears no resemblance to later incarnations of the band, as it’s very much in the vein of UFO with a bit more attitude. Fin’s vocal style is a gruffer version of Phil Mogg with a raspier style.

I actually prefer this line up of the band as the songs are more rock and roll and not polished. Side 1 of the album is a great set of songs with Love Loaded opening proceedings with it’s very distinct UFO feel. Women In Chains is a bit more experimental in style, with a slow stomp beat with an almost industrial feel. Sleazy is (as the title says) – just that. Side 1 closer, Night Of The Wolf, is a big epic piece that starts real slow and picks up pace with some nice lead playing from Ronnie Kayfield.

The UFO vibe continues with Side 2 opener, Toy With The Passion, as you can almost hear Phil Mogg singing this song – it’s that close. Right From The Start has a very Springsteen style intro to the song. I would say this is my least favourite track on the album. Hit Love is a very Faces sounding track with a the basic barroom vibe. All Belongs To You has a very sleazy Aerosmith feel to the tune. Carrying on that sleazy feel, the album closes with a cover Somebody To Love.

Side 2 does not live up to Side 1, which is a shame, but it’s still a fun record to listen to.

8/10 from The Grooveman.