REVIEWS FROM MY VINYL COLLECTION

Day: November 4, 2021

PANTERA – Projects In The Jungle

Back in the mists of time, before Pantera were the heavy groove metal kings after their release of Cowboys From Hell in ’90, they had released 4 albums of which Projects In The Jungle was their second, released in ’84. Think of a glam version of the band with Joe Elliot on vocals instead of Anslemo and you won’t be far off.

Dime is an absolute star on this record and he rips it up on every track. If you are a lover of over the top 80’s glam metal, then you will love this. There is not a bad track on this album. If you want to hear what an influence EVH was on Dime’s playing, then listen to his show piece, Blue Lite Turnin’ Red, which is his homage to Eruption.

The only thing I find amazing here is how come they never broke through before they did, because this album is streets ahead of some of the stuff that was around at the time. The riffs are heavy and the guitar is wild, and that is just fine by me.

9.5/10 from The Grooveman.

ALAN HOLDSWORTH – Metal Fatigue

Alan Holdsworth the guitarist’s guitarist. A whole lot of players cite him as an influence or an inspiration; such as EVH, Satriani, and Alex Lifeson – so you would think he would have made a decent living from his profession. Unfortunately the opposite was true, and when he died he wasn’t well off. He stuck to his beliefs and explored the guitar like no one else, which took him away from mainstream and commercial success. He was truly a visionary, and this album, I would say, is the most accessible of his catalogue that people of interest could get into.

This album is listed under jazz /fusion, which usually means they don’t know how to categorize it. Surprisingly, there are three out of six tracks with vocals, and my favourite of those is Panic Station. I think the main interest lies in the instrumentals, of which Devil Take The Hindmost is my favourite. His playing sometimes almost rambles, but the speed at which he plays the notes is breathtaking and with such a clean tone. Of course there is all sorts of gadget wizardry on display as well, and some of the sounds here in ’85 would become much popular way later. Shout out to Chad Wackernan, on the tracks he plays on lays down a great groove.

8.5/10 from The Grooveman.