REVIEWS FROM MY VINYL COLLECTION

Month: October 2021 (Page 3 of 13)

G3 – Live In Tokyo

These gigs were a whole bunch of fun Live if you ever had the opportunity to attend one. I’ve seen two of these, and the last one I saw was Petrucci and Satriani, but with Paul Gilbert opening instead of Vai on the bill.

Now the first side is just John Petrucci playing two songs, Glasgow Kiss and Damage Control, from his first solo record with Portnoy on drums and Dave La Rue on bass. As you would expect, it’s as flawless and tight as a tight thing on a tight train to tight town. Petrucci has such a beautiful clean tone to his playing and the two songs here are just incredible.

Next up is Steve Vai who gets three songs straddling Side 2 and 3. His lead off track, The Audience Is Listening, has to be one of his best tracks. He is ably assisted on rhythm guitar by none other than Tony Macalpine, and on bass with Billy Sheehan. You can’t go wrong with that band. I have to say, out of the three players here, he is my least favourite, but nevertheless it is incredible playing .

Satriani is last up and straddles Side 3 and 4. I love Joe’s playing as melody is always high on his list when he puts his compositions together – his playing here is just so good. Up In Flames, Searching, and War are the three tracks featured here.

Then we get what makes these events so mischievous fun, all three guitarists come out together for a three song medley with Hendrix’s Foxy Lady, ZZ Top’s La Grange, and Smoke On The Water by Deep Purple. Of course it’s shred fest, as each of them take turns to out do each other.

I quite like the way this album has been put together as it must have been a nightmare to choose what tracks to include. Being the guitar nut that I am, I am on cloud nine with albums like this.

10/10 from The Grooveman.

FIGHT – A Small Deadly Space

This is the second album from Rob Halford’s short lived (but great) post Priest project. This album sounds like Priest had a love child with Pantera. It’s metal like Priest, but with the heavy grooves of Pantera. He took drummer, Scott Travis, with him when he left Priest, Steel Panther’s Russ Parish is on guitar, second guitarist Brian Tilse, and bassist Jay Jay Brown.

I Am Alive is a killer opening track with a great riff and Halford sings his ass off. Legacy Of Hate is Pantera with Halford on vocals – a great tune with a very Dime riff. Mouthpiece is as heavy as hell with a superb solo. Blowout In The Radio Room starts with a very Sabbath riff, the vibe of nu metal, and a hint of Alice In Chains. Never Again is a very simple chugga riff with a driving beat and groove.

Side 2 starts with the title track, and it’s more of the same – a choppy riff with plenty of groove. Gretna Greene was the lead off track from the album and was sent out as promo before the album’s release – it’s my favourite from the album. It has a great fat D-tuned riff and a twisted vocal from the metal god, with a groove that will have you creating your own mosh pit in the kitchen. Beneath The Violence is the heaviest track with a monster riff right out of the Priest textbook. Human Crate is next up with a very eerie intro, that leads into an evil chugga riff with quite a slow groove that makes the head nod of its own volition. In A World Of My Own Making closes out the album and is the strangest track on the record. It starts with just Halford and a piano, but the heaviness comes with more of a classic rock approach – even though the guitars are tuned down.

The hidden track that was on the CD, Psycho Suicide, is missing from the vinyl version. I think this is the best of the two albums and I would have liked them to do more, but I don’t think that will happen now.

9/10 from The Grooveman.

MACHINE HEAD – Burn My Eyes

Right in the middle of grunge, and the hatred of all things rock and metal, this slab of awesomeness slipped out to shake everyone out of the funk they were in. Along with Pantera, they were at the head of a new wave of metal bands with a very heavy deep tone to their sound. Unfortunately for the band, it wasn’t until the release of The Blackening in 2007 that they would rekindle the flames that made them great in the first place. That’s nearly 14 years later.

The opening slams of Davidian and Old is as good as it gets – pure unadulterated metal with huge riffs and grooves. The very slow intro of A Thousand Lies is Sabbath for a modern age – a superb riff with chuggas a plenty. Blood For Blood is a fast romp with blast beats driving the groove. Block is just amazing, and a killer way to finish the album proper. Side 4 is demos and alternate takes which gets a big thumbs up from me as I’m not a fan of the etched side.

This is one of the best modern metal albums. It’s full of big fat riffs, killer grooves, and it sounds huge thanks to a great production from Colon Richardson (who was flavour of the month for a while).

A big 10/10 from The Grooveman.

ONLY CHILD – s/t

After Paul Sabu released a couple of solo albums under his own name and they didn’t do that well, somebody thought it would be a good idea to build a few bands around him. This is the third of those bands, and I would say probably the best, as it’s a near perfect mix of hard rock and softer AOR – Journey style.

As well as handling all guitar duties, Paul Sabu sings all lead vocals. I was aware of what an amazing player he is, but was pleasantly surprised that he has quite a good voice. Plenty of melodies, hooks, and sing-a-long choruses to keep the most ardent melodic rock fan happy here – and an added bonus of some killer guitar. I Wanna Touch is a standout track, and I’m sure it would have made a great single. Scream Until You Like It is another good track, as you can guess it has lots of suspect lyrics – as was the case back then. My personal favourite is Love To The Limit as it’s a great up-tempo rocker with a great melody and a signature ripping solo from Mr. Sabu.

As a little side note and possibly the most irrelevant thing I’ve contributed, Paul Sabu is the son of film star Sabu.

A really good album and not a bad song here if I’m honest.

9/10 from The Grooveman.

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