REVIEWS FROM MY VINYL COLLECTION

Day: October 1, 2021

DAMIAN MURDOCH TRIO – Electric Tentacles

This is absolute killer hard blues rock with a hint of everything thrown in for good measure. The band hail from the land down under, and I came across this whilst trawling the t’internet for something new. My preference for listening to music (other than Van Halen and other killer rock bands) would be instrumental guitar music with a hard edge and plenty of soloing and riffs. I would describe this album as my perfect listen as it ticks all the boxes and hits all the spots for me.

The first track (ironically titled) The Opener, has a real heavy blues vibe with a hint of Hendrix – but on steroids. Funky Desert Rider does what it says on the tin. The Final Absturz has a heavy fusion at the start with a serious groove and some killer playing. Visceral Circles Of The Cosmos starts with a killer jazz drum and bass and then builds into this heavy monster groove. Great track! Side 1 closes out with The Eternal Search For The Alpha Jellyfish, which is up there with great song titles.

Side 2 kicks off with Lean Kathleen’s Killing Machine, and sees the tempo increase somewhat. I love the slow down in the middle eight and the solo is epic! The Dragon Slayed The Princess takes the tempo and the vibe down several notches and showcases the gentler side of Damian’s playing – until that wicked jazz groove dives in and there is one monster evil riff toward the end of the song. Sleazeball follows with a slow jazz funk riff, and then boom, and off we go! Jump Rope With Electric Wires closes out the album with a huge bang. A fast choppy riff and groove drive the song along – there is some serious playing in this track.

Shout out to the killer rhythm section of Michael Posch on drums and Matthias Wieser on bass who lay down a great background for Damian to lay some great playing on. I really love this album.

10/10 from The Grooveman.

DAVID LEE ROTH – A Little Ain’t Enough

This is the diamond one’s third solo album after leaving Van Halen. It a big change in personnel after the first two albums. Steve Vai and Billy Sheehan had left to do their own thing, and on the recording a young Jason Becker played guitar. He was diagnosed with ALS while recording the album, and managed to finish it but was unable to do the tour. The touring band featured the amazing Joe Holmes on guitar, and Todd Jensen was on the bass.

This was the beginning of Dave’s decline. The album was a change in style to more of a blues based album, and it was also right in the middle of the grunge period. Whereas the tour was a success in Europe, it did really bad in the US where shows were cancelled altogether. I am a big Dave fan and I do like this album, but it didn’t reach the heights of the previous two. Main highlights for me are the title track, which is trademark DLR, the barroom sleazy blues of Sensible Shoes, and the very Hot For Teacher vibe of Its Showtime.

I managed to catch one of Dave’s solo shows in Vegas before COVID hit, and he was fantastic.

8.5/10 from The Grooveman.